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Making all md conform with https://freesewing.dev/guides/markdown/line-breaks
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@ -19,7 +19,7 @@ If you have trouble catching the top hem we suggest to either _Baste_ close to t
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<Note>
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There are multiple ways to sew a patch pocket so use the way you prefer if you do not like this one.\
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There are multiple ways to sew a patch pocket so use the way you prefer if you do not like this one.
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A fun thing you can do is embroider/stitch the pocket with the name of the person the apron is for or even a cute design. Just remember that aprons typically get dirty so don't go to overtop with it.
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</Note>
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@ -33,7 +33,7 @@ A fun thing you can do is embroider/stitch the pocket with the name of the perso
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<Note>
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It is recommended to hem the side seams before the top and bottom seams as they are narrower.\
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It is recommended to hem the side seams before the top and bottom seams as they are narrower.
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The side seams are narrow hems simply being the seam allowance folded over twice.
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</Note>
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@ -19,7 +19,7 @@ If you have trouble catching the top hem we suggest to either _Baste_ close to t
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<Note>
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There are multiple ways to sew a patch pocket so use the way you prefer if you do not like this one.\
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There are multiple ways to sew a patch pocket so use the way you prefer if you do not like this one.
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A fun thing you can do is embroider/stitch the pocket with the name of the person the apron is for or even a cute design. Just remember that aprons typically get dirty so don't go to overtop with it.
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</Note>
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@ -33,7 +33,7 @@ A fun thing you can do is embroider/stitch the pocket with the name of the perso
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<Note>
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It is recommended to hem the side seams before the top and bottom seams as they are narrower.\
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It is recommended to hem the side seams before the top and bottom seams as they are narrower.
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The side seams are narrow hems simply being the seam allowance folded over twice.
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</Note>
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@ -19,7 +19,7 @@ If you have trouble catching the top hem we suggest to either _Baste_ close to t
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<Note>
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There are multiple ways to sew a patch pocket so use the way you prefer if you do not like this one.\
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||||
There are multiple ways to sew a patch pocket so use the way you prefer if you do not like this one.
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||||
A fun thing you can do is embroider/stitch the pocket with the name of the person the apron is for or even a cute design. Just remember that aprons typically get dirty so don't go to overtop with it.
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||||
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</Note>
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@ -33,7 +33,7 @@ A fun thing you can do is embroider/stitch the pocket with the name of the perso
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<Note>
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It is recommended to hem the side seams before the top and bottom seams as they are narrower.\
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It is recommended to hem the side seams before the top and bottom seams as they are narrower.
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The side seams are narrow hems simply being the seam allowance folded over twice.
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</Note>
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@ -19,7 +19,7 @@ If you have trouble catching the top hem we suggest to either _Baste_ close to t
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<Note>
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||||
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There are multiple ways to sew a patch pocket so use the way you prefer if you do not like this one.\
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||||
There are multiple ways to sew a patch pocket so use the way you prefer if you do not like this one.
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A fun thing you can do is embroider/stitch the pocket with the name of the person the apron is for or even a cute design. Just remember that aprons typically get dirty so don't go to overtop with it.
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</Note>
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@ -33,7 +33,7 @@ A fun thing you can do is embroider/stitch the pocket with the name of the perso
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<Note>
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It is recommended to hem the side seams before the top and bottom seams as they are narrower.\
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It is recommended to hem the side seams before the top and bottom seams as they are narrower.
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The side seams are narrow hems simply being the seam allowance folded over twice.
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</Note>
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@ -19,7 +19,7 @@ If you have trouble catching the top hem we suggest to either _Baste_ close to t
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<Note>
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There are multiple ways to sew a patch pocket so use the way you prefer if you do not like this one.\
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There are multiple ways to sew a patch pocket so use the way you prefer if you do not like this one.
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A fun thing you can do is embroider/stitch the pocket with the name of the person the apron is for or even a cute design. Just remember that aprons typically get dirty so don't go to overtop with it.
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</Note>
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@ -33,7 +33,7 @@ A fun thing you can do is embroider/stitch the pocket with the name of the perso
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<Note>
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It is recommended to hem the side seams before the top and bottom seams as they are narrower.\
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It is recommended to hem the side seams before the top and bottom seams as they are narrower.
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The side seams are narrow hems simply being the seam allowance folded over twice.
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</Note>
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@ -19,7 +19,7 @@ If you have trouble catching the top hem we suggest to either _Baste_ close to t
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<Note>
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There are multiple ways to sew a patch pocket so use the way you prefer if you do not like this one.\
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There are multiple ways to sew a patch pocket so use the way you prefer if you do not like this one.
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A fun thing you can do is embroider/stitch the pocket with the name of the person the apron is for or even a cute design. Just remember that aprons typically get dirty so don't go to overtop with it.
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</Note>
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@ -33,7 +33,7 @@ A fun thing you can do is embroider/stitch the pocket with the name of the perso
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<Note>
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It is recommended to hem the side seams before the top and bottom seams as they are narrower.\
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It is recommended to hem the side seams before the top and bottom seams as they are narrower.
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The side seams are narrow hems simply being the seam allowance folded over twice.
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</Note>
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@ -8,7 +8,7 @@ Make sure to use a stretch stitch
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<Note>
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When making a reversible top the second colour will be refered to as the lining fabric.\
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When making a reversible top the second colour will be refered to as the lining fabric.
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The notches in this pattern act more like dots so **do not** clip them to mark them.
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</Note>
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@ -50,7 +50,7 @@ The notches in this pattern act more like dots so **do not** clip them to mark t
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<Tip>
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If your seam allowance is wide you may find that you need to trim the gaps' seam allowances a little to reduce bulk.\
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If your seam allowance is wide you may find that you need to trim the gaps' seam allowances a little to reduce bulk.
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If you are having trouble turning the cups you can try one of these methods:
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- Create a 2.5cm (1") gap in the front or side seam and turn throught that, either _slipstitch_-ing the gap closed or _edgestitch_-ing it closed during Step 7.
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@ -75,7 +75,7 @@ Whilst certainly optional it is recommended to _edgestitch_ the top and sides of
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<Tip>
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The amount you gather the cups is a matter of preference and cup size, but you can hold them up to yourself before stitching in place to ensure the fit is right.\
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The amount you gather the cups is a matter of preference and cup size, but you can hold them up to yourself before stitching in place to ensure the fit is right.
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There are also notches on either side of the band piece's midpoint to help give you an idea of how much to gather by.
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</Tip>
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@ -8,7 +8,7 @@ Make sure to use a stretch stitch
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<Note>
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When making a reversible top the second colour will be refered to as the lining fabric.\
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When making a reversible top the second colour will be refered to as the lining fabric.
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The notches in this pattern act more like dots so **do not** clip them to mark them.
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</Note>
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@ -50,7 +50,7 @@ The notches in this pattern act more like dots so **do not** clip them to mark t
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<Tip>
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If your seam allowance is wide you may find that you need to trim the gaps' seam allowances a little to reduce bulk.\
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If your seam allowance is wide you may find that you need to trim the gaps' seam allowances a little to reduce bulk.
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If you are having trouble turning the cups you can try one of these methods:
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- Create a 2.5cm (1") gap in the front or side seam and turn throught that, either _slipstitch_-ing the gap closed or _edgestitch_-ing it closed during Step 7.
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@ -75,7 +75,7 @@ Whilst certainly optional it is recommended to _edgestitch_ the top and sides of
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<Tip>
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The amount you gather the cups is a matter of preference and cup size, but you can hold them up to yourself before stitching in place to ensure the fit is right.\
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The amount you gather the cups is a matter of preference and cup size, but you can hold them up to yourself before stitching in place to ensure the fit is right.
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There are also notches on either side of the band piece's midpoint to help give you an idea of how much to gather by.
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</Tip>
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@ -8,7 +8,7 @@ Make sure to use a stretch stitch
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<Note>
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When making a reversible top the second colour will be refered to as the lining fabric.\
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When making a reversible top the second colour will be refered to as the lining fabric.
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The notches in this pattern act more like dots so **do not** clip them to mark them.
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</Note>
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@ -50,7 +50,7 @@ The notches in this pattern act more like dots so **do not** clip them to mark t
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<Tip>
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If your seam allowance is wide you may find that you need to trim the gaps' seam allowances a little to reduce bulk.\
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If your seam allowance is wide you may find that you need to trim the gaps' seam allowances a little to reduce bulk.
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If you are having trouble turning the cups you can try one of these methods:
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- Create a 2.5cm (1") gap in the front or side seam and turn throught that, either _slipstitch_-ing the gap closed or _edgestitch_-ing it closed during Step 7.
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@ -75,7 +75,7 @@ Whilst certainly optional it is recommended to _edgestitch_ the top and sides of
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<Tip>
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The amount you gather the cups is a matter of preference and cup size, but you can hold them up to yourself before stitching in place to ensure the fit is right.\
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The amount you gather the cups is a matter of preference and cup size, but you can hold them up to yourself before stitching in place to ensure the fit is right.
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There are also notches on either side of the band piece's midpoint to help give you an idea of how much to gather by.
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</Tip>
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@ -8,7 +8,7 @@ Make sure to use a stretch stitch
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<Note>
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When making a reversible top the second colour will be refered to as the lining fabric.\
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When making a reversible top the second colour will be refered to as the lining fabric.
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The notches in this pattern act more like dots so **do not** clip them to mark them.
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</Note>
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@ -50,7 +50,7 @@ The notches in this pattern act more like dots so **do not** clip them to mark t
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<Tip>
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||||
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If your seam allowance is wide you may find that you need to trim the gaps' seam allowances a little to reduce bulk.\
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If your seam allowance is wide you may find that you need to trim the gaps' seam allowances a little to reduce bulk.
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If you are having trouble turning the cups you can try one of these methods:
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||||
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- Create a 2.5cm (1") gap in the front or side seam and turn throught that, either _slipstitch_-ing the gap closed or _edgestitch_-ing it closed during Step 7.
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@ -75,7 +75,7 @@ Whilst certainly optional it is recommended to _edgestitch_ the top and sides of
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<Tip>
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||||
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The amount you gather the cups is a matter of preference and cup size, but you can hold them up to yourself before stitching in place to ensure the fit is right.\
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The amount you gather the cups is a matter of preference and cup size, but you can hold them up to yourself before stitching in place to ensure the fit is right.
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There are also notches on either side of the band piece's midpoint to help give you an idea of how much to gather by.
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</Tip>
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@ -8,7 +8,7 @@ Make sure to use a stretch stitch
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<Note>
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When making a reversible top the second colour will be refered to as the lining fabric.\
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When making a reversible top the second colour will be refered to as the lining fabric.
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The notches in this pattern act more like dots so **do not** clip them to mark them.
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</Note>
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@ -50,7 +50,7 @@ The notches in this pattern act more like dots so **do not** clip them to mark t
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<Tip>
|
||||
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If your seam allowance is wide you may find that you need to trim the gaps' seam allowances a little to reduce bulk.\
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If your seam allowance is wide you may find that you need to trim the gaps' seam allowances a little to reduce bulk.
|
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If you are having trouble turning the cups you can try one of these methods:
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||||
|
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- Create a 2.5cm (1") gap in the front or side seam and turn throught that, either _slipstitch_-ing the gap closed or _edgestitch_-ing it closed during Step 7.
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@ -75,7 +75,7 @@ Whilst certainly optional it is recommended to _edgestitch_ the top and sides of
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<Tip>
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||||
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The amount you gather the cups is a matter of preference and cup size, but you can hold them up to yourself before stitching in place to ensure the fit is right.\
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The amount you gather the cups is a matter of preference and cup size, but you can hold them up to yourself before stitching in place to ensure the fit is right.
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There are also notches on either side of the band piece's midpoint to help give you an idea of how much to gather by.
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</Tip>
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@ -8,7 +8,7 @@ Make sure to use a stretch stitch
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<Note>
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||||
|
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When making a reversible top the second colour will be refered to as the lining fabric.\
|
||||
When making a reversible top the second colour will be refered to as the lining fabric.
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The notches in this pattern act more like dots so **do not** clip them to mark them.
|
||||
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</Note>
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@ -50,7 +50,7 @@ The notches in this pattern act more like dots so **do not** clip them to mark t
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<Tip>
|
||||
|
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If your seam allowance is wide you may find that you need to trim the gaps' seam allowances a little to reduce bulk.\
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If your seam allowance is wide you may find that you need to trim the gaps' seam allowances a little to reduce bulk.
|
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If you are having trouble turning the cups you can try one of these methods:
|
||||
|
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- Create a 2.5cm (1") gap in the front or side seam and turn throught that, either _slipstitch_-ing the gap closed or _edgestitch_-ing it closed during Step 7.
|
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@ -75,7 +75,7 @@ Whilst certainly optional it is recommended to _edgestitch_ the top and sides of
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<Tip>
|
||||
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The amount you gather the cups is a matter of preference and cup size, but you can hold them up to yourself before stitching in place to ensure the fit is right.\
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The amount you gather the cups is a matter of preference and cup size, but you can hold them up to yourself before stitching in place to ensure the fit is right.
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There are also notches on either side of the band piece's midpoint to help give you an idea of how much to gather by.
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</Tip>
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@ -11,8 +11,8 @@ To make Bee, you will need the following:
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<Note>
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The lining fabric is only needed if you want to make this pattern reversible. If you don't, you only need the main fabric.\
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You can use a serger/overlocker to construct this pattern but it is not mandatory.\
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The lining fabric is only needed if you want to make this pattern reversible. If you don't, you only need the main fabric.
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You can use a serger/overlocker to construct this pattern but it is not mandatory.
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Ribbons/Tapes/Cords can be used instead of making custom ties. Just make sure to get more than you need and that you cut down to size after construction.
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</Note>
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@ -11,8 +11,8 @@ To make Bee, you will need the following:
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<Note>
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||||
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The lining fabric is only needed if you want to make this pattern reversible. If you don't, you only need the main fabric.\
|
||||
You can use a serger/overlocker to construct this pattern but it is not mandatory.\
|
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The lining fabric is only needed if you want to make this pattern reversible. If you don't, you only need the main fabric.
|
||||
You can use a serger/overlocker to construct this pattern but it is not mandatory.
|
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Ribbons/Tapes/Cords can be used instead of making custom ties. Just make sure to get more than you need and that you cut down to size after construction.
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</Note>
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@ -11,8 +11,8 @@ Para hacer Bee, necesitarás lo siguiente:
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<Note>
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La tela de forro solo es necesaria si quieres hacer este patrón reversible. If you don't, you only need the main fabric.\
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You can use a serger/overlocker to construct this pattern but it is not mandatory.\
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La tela de forro solo es necesaria si quieres hacer este patrón reversible. If you don't, you only need the main fabric.
|
||||
You can use a serger/overlocker to construct this pattern but it is not mandatory.
|
||||
Ribbons/Tapes/Cords can be used instead of making custom ties. Just make sure to get more than you need and that you cut down to size after construction.
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</Note>
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@ -11,8 +11,8 @@ To make Bee, you will need the following:
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<Note>
|
||||
|
||||
The lining fabric is only needed if you want to make this pattern reversible. If you don't, you only need the main fabric.\
|
||||
You can use a serger/overlocker to construct this pattern but it is not mandatory.\
|
||||
The lining fabric is only needed if you want to make this pattern reversible. If you don't, you only need the main fabric.
|
||||
You can use a serger/overlocker to construct this pattern but it is not mandatory.
|
||||
Ribbons/Tapes/Cords can be used instead of making custom ties. Just make sure to get more than you need and that you cut down to size after construction.
|
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</Note>
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|
|
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@ -11,8 +11,8 @@ To make Bee, you will need the following:
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<Note>
|
||||
|
||||
The lining fabric is only needed if you want to make this pattern reversible. If you don't, you only need the main fabric.\
|
||||
You can use a serger/overlocker to construct this pattern but it is not mandatory.\
|
||||
The lining fabric is only needed if you want to make this pattern reversible. If you don't, you only need the main fabric.
|
||||
You can use a serger/overlocker to construct this pattern but it is not mandatory.
|
||||
Ribbons/Tapes/Cords can be used instead of making custom ties. Just make sure to get more than you need and that you cut down to size after construction.
|
||||
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</Note>
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@ -11,8 +11,8 @@ To make Bee, you will need the following:
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<Note>
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||||
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The lining fabric is only needed if you want to make this pattern reversible. If you don't, you only need the main fabric.\
|
||||
You can use a serger/overlocker to construct this pattern but it is not mandatory.\
|
||||
The lining fabric is only needed if you want to make this pattern reversible. If you don't, you only need the main fabric.
|
||||
You can use a serger/overlocker to construct this pattern but it is not mandatory.
|
||||
Ribbons/Tapes/Cords can be used instead of making custom ties. Just make sure to get more than you need and that you cut down to size after construction.
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||||
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</Note>
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@ -11,7 +11,7 @@ A variation of Bee, where the neck ties cross and tie in the back by looping int
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- 2 neck ties
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- 1 band tie
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The neck ties are sewn into the cups and tie at the neck like a halter.\
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The neck ties are sewn into the cups and tie at the neck like a halter.
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The band tie is thread through casings in the cups and ties with itself at the back
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#### Cross Back Ties
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@ -19,7 +19,7 @@ The band tie is thread through casings in the cups and ties with itself at the b
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- 2 neck ties
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- No band tie
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The band tie and casing on the cups are replaced by a band which is sewn with loops in the back.\
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The band tie and casing on the cups are replaced by a band which is sewn with loops in the back.
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The neck ties are longer and cross over each other in the back, then go through the loops in the band and then tie with one another.
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## Effekt dieser Option auf das Schnittmuster
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@ -11,7 +11,7 @@ A variation of Bee, where the neck ties cross and tie in the back by looping int
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- 2 neck ties
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- 1 band tie
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||||
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The neck ties are sewn into the cups and tie at the neck like a halter.\
|
||||
The neck ties are sewn into the cups and tie at the neck like a halter.
|
||||
The band tie is thread through casings in the cups and ties with itself at the back
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||||
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||||
#### Cross Back Ties
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||||
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@ -19,7 +19,7 @@ The band tie is thread through casings in the cups and ties with itself at the b
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- 2 neck ties
|
||||
- No band tie
|
||||
|
||||
The band tie and casing on the cups are replaced by a band which is sewn with loops in the back.\
|
||||
The band tie and casing on the cups are replaced by a band which is sewn with loops in the back.
|
||||
The neck ties are longer and cross over each other in the back, then go through the loops in the band and then tie with one another.
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
|
|
@ -11,7 +11,7 @@ A variation of Bee, where the neck ties cross and tie in the back by looping int
|
|||
- 2 neck ties
|
||||
- 1 band tie
|
||||
|
||||
The neck ties are sewn into the cups and tie at the neck like a halter.\
|
||||
The neck ties are sewn into the cups and tie at the neck like a halter.
|
||||
The band tie is thread through casings in the cups and ties with itself at the back
|
||||
|
||||
#### Cross Back Ties
|
||||
|
@ -19,7 +19,7 @@ The band tie is thread through casings in the cups and ties with itself at the b
|
|||
- 2 neck ties
|
||||
- No band tie
|
||||
|
||||
The band tie and casing on the cups are replaced by a band which is sewn with loops in the back.\
|
||||
The band tie and casing on the cups are replaced by a band which is sewn with loops in the back.
|
||||
The neck ties are longer and cross over each other in the back, then go through the loops in the band and then tie with one another.
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
|
|
@ -11,7 +11,7 @@ A variation of Bee, where the neck ties cross and tie in the back by looping int
|
|||
- 2 neck ties
|
||||
- 1 band tie
|
||||
|
||||
The neck ties are sewn into the cups and tie at the neck like a halter.\
|
||||
The neck ties are sewn into the cups and tie at the neck like a halter.
|
||||
The band tie is thread through casings in the cups and ties with itself at the back
|
||||
|
||||
#### Cross Back Ties
|
||||
|
@ -19,7 +19,7 @@ The band tie is thread through casings in the cups and ties with itself at the b
|
|||
- 2 neck ties
|
||||
- No band tie
|
||||
|
||||
The band tie and casing on the cups are replaced by a band which is sewn with loops in the back.\
|
||||
The band tie and casing on the cups are replaced by a band which is sewn with loops in the back.
|
||||
The neck ties are longer and cross over each other in the back, then go through the loops in the band and then tie with one another.
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
|
|
@ -11,7 +11,7 @@ A variation of Bee, where the neck ties cross and tie in the back by looping int
|
|||
- 2 neck ties
|
||||
- 1 band tie
|
||||
|
||||
The neck ties are sewn into the cups and tie at the neck like a halter.\
|
||||
The neck ties are sewn into the cups and tie at the neck like a halter.
|
||||
The band tie is thread through casings in the cups and ties with itself at the back
|
||||
|
||||
#### Cross Back Ties
|
||||
|
@ -19,7 +19,7 @@ The band tie is thread through casings in the cups and ties with itself at the b
|
|||
- 2 neck ties
|
||||
- No band tie
|
||||
|
||||
The band tie and casing on the cups are replaced by a band which is sewn with loops in the back.\
|
||||
The band tie and casing on the cups are replaced by a band which is sewn with loops in the back.
|
||||
The neck ties are longer and cross over each other in the back, then go through the loops in the band and then tie with one another.
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
|
|
@ -11,7 +11,7 @@ A variation of Bee, where the neck ties cross and tie in the back by looping int
|
|||
- 2 neck ties
|
||||
- 1 band tie
|
||||
|
||||
The neck ties are sewn into the cups and tie at the neck like a halter.\
|
||||
The neck ties are sewn into the cups and tie at the neck like a halter.
|
||||
The band tie is thread through casings in the cups and ties with itself at the back
|
||||
|
||||
#### Cross Back Ties
|
||||
|
@ -19,7 +19,7 @@ The band tie is thread through casings in the cups and ties with itself at the b
|
|||
- 2 neck ties
|
||||
- No band tie
|
||||
|
||||
The band tie and casing on the cups are replaced by a band which is sewn with loops in the back.\
|
||||
The band tie and casing on the cups are replaced by a band which is sewn with loops in the back.
|
||||
The neck ties are longer and cross over each other in the back, then go through the loops in the band and then tie with one another.
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
|
|
@ -44,7 +44,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Bella as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Bella as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -44,7 +44,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Bella as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Bella as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -44,7 +44,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Bella as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Bella as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -44,7 +44,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Bella as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Bella as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -44,7 +44,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Bella as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Bella as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -44,7 +44,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Bella as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Bella as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -30,7 +30,7 @@ As Bent is a block it does not have any closures. So the instructions below will
|
|||
|
||||
You may need to ease/gather the sleeves to fit.
|
||||
|
||||
You may need to ease/gather the sleeves to fit.\
|
||||
You may need to ease/gather the sleeves to fit.
|
||||
You may need to leave the bottom of one of the sleeve seams open to put the garment on.
|
||||
|
||||
</Note>
|
||||
|
@ -57,7 +57,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
</Tip>
|
||||
<Note>
|
||||
|
||||
Remember to treat Bent as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Bent as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -56,7 +56,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
</Tip>
|
||||
<Note>
|
||||
|
||||
Remember to treat Bent as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Bent as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -30,7 +30,7 @@ As Bent is a block it does not have any closures. So the instructions below will
|
|||
|
||||
You may need to ease/gather the sleeves to fit.
|
||||
|
||||
You may need to ease/gather the sleeves to fit.\
|
||||
You may need to ease/gather the sleeves to fit.
|
||||
You may need to leave the bottom of one of the sleeve seams open to put the garment on.
|
||||
|
||||
</Note>
|
||||
|
@ -57,7 +57,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
</Tip>
|
||||
<Note>
|
||||
|
||||
Remember to treat Bent as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Bent as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -30,7 +30,7 @@ As Bent is a block it does not have any closures. So the instructions below will
|
|||
|
||||
You may need to ease/gather the sleeves to fit.
|
||||
|
||||
You may need to ease/gather the sleeves to fit.\
|
||||
You may need to ease/gather the sleeves to fit.
|
||||
You may need to leave the bottom of one of the sleeve seams open to put the garment on.
|
||||
|
||||
</Note>
|
||||
|
@ -57,7 +57,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
</Tip>
|
||||
<Note>
|
||||
|
||||
Remember to treat Bent as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Bent as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -30,7 +30,7 @@ As Bent is a block it does not have any closures. So the instructions below will
|
|||
|
||||
You may need to ease/gather the sleeves to fit.
|
||||
|
||||
You may need to ease/gather the sleeves to fit.\
|
||||
You may need to ease/gather the sleeves to fit.
|
||||
You may need to leave the bottom of one of the sleeve seams open to put the garment on.
|
||||
|
||||
</Note>
|
||||
|
@ -57,7 +57,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
</Tip>
|
||||
<Note>
|
||||
|
||||
Remember to treat Bent as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Bent as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -56,7 +56,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
</Tip>
|
||||
<Note>
|
||||
|
||||
Remember to treat Bent as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Bent as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -51,7 +51,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Breanna as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Breanna as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -51,7 +51,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Breanna as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Breanna as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -51,7 +51,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Breanna as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Breanna as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -51,7 +51,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Breanna as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Breanna as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -51,7 +51,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Breanna as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Breanna as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -51,7 +51,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Breanna as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Breanna as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -49,7 +49,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -49,7 +49,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -49,7 +49,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -49,7 +49,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -49,7 +49,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -49,7 +49,7 @@ Sometimes you may need to wear the mock-up for an extended amount of time to get
|
|||
|
||||
<Note>
|
||||
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
For instance:
|
||||
|
||||
- Change the neck line
|
||||
|
|
|
@ -4,7 +4,7 @@ title: "Crotch drop"
|
|||
|
||||
Controls by how much the crotch is lowered.
|
||||
|
||||
Lowering the crotch makes for a more casual fit.\
|
||||
Lowering the crotch makes for a more casual fit.
|
||||
A signigicantly lowered crotched can also be a style choice.
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
|
|
@ -4,7 +4,7 @@ title: "Crotch drop"
|
|||
|
||||
Controls by how much the crotch is lowered.
|
||||
|
||||
Lowering the crotch makes for a more casual fit.\
|
||||
Lowering the crotch makes for a more casual fit.
|
||||
A signigicantly lowered crotched can also be a style choice.
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
|
|
@ -4,7 +4,7 @@ title: "Crotch drop"
|
|||
|
||||
Controls by how much the crotch is lowered.
|
||||
|
||||
Lowering the crotch makes for a more casual fit.\
|
||||
Lowering the crotch makes for a more casual fit.
|
||||
A signigicantly lowered crotched can also be a style choice.
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
|
|
@ -4,7 +4,7 @@ title: "Crotch drop"
|
|||
|
||||
Controls by how much the crotch is lowered.
|
||||
|
||||
Lowering the crotch makes for a more casual fit.\
|
||||
Lowering the crotch makes for a more casual fit.
|
||||
A signigicantly lowered crotched can also be a style choice.
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
|
|
@ -4,7 +4,7 @@ title: "Crotch drop"
|
|||
|
||||
Controls by how much the crotch is lowered.
|
||||
|
||||
Lowering the crotch makes for a more casual fit.\
|
||||
Lowering the crotch makes for a more casual fit.
|
||||
A signigicantly lowered crotched can also be a style choice.
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
|
|
@ -4,7 +4,7 @@ title: "Crotch drop"
|
|||
|
||||
Controls by how much the crotch is lowered.
|
||||
|
||||
Lowering the crotch makes for a more casual fit.\
|
||||
Lowering the crotch makes for a more casual fit.
|
||||
A signigicantly lowered crotched can also be a style choice.
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
|
|
@ -8,7 +8,7 @@ The back of the trouser legs are always wider than the front. This controls by h
|
|||
|
||||
<Note>
|
||||
|
||||
Increasing this will make the front leg panel narrower.\
|
||||
Increasing this will make the front leg panel narrower.
|
||||
This makes the wearer look more skinny.
|
||||
|
||||
This trick is often used in womenswear jeans
|
||||
|
|
|
@ -8,7 +8,7 @@ The back of the trouser legs are always wider than the front. This controls by h
|
|||
|
||||
<Note>
|
||||
|
||||
Increasing this will make the front leg panel narrower.\
|
||||
Increasing this will make the front leg panel narrower.
|
||||
This makes the wearer look more skinny.
|
||||
|
||||
This trick is often used in womenswear jeans
|
||||
|
|
|
@ -8,7 +8,7 @@ The back of the trouser legs are always wider than the front. This controls by h
|
|||
|
||||
<Note>
|
||||
|
||||
Increasing this will make the front leg panel narrower.\
|
||||
Increasing this will make the front leg panel narrower.
|
||||
This makes the wearer look more skinny.
|
||||
|
||||
This trick is often used in womenswear jeans
|
||||
|
|
|
@ -8,7 +8,7 @@ The back of the trouser legs are always wider than the front. This controls by h
|
|||
|
||||
<Note>
|
||||
|
||||
Increasing this will make the front leg panel narrower.\
|
||||
Increasing this will make the front leg panel narrower.
|
||||
This makes the wearer look more skinny.
|
||||
|
||||
This trick is often used in womenswear jeans
|
||||
|
|
|
@ -8,7 +8,7 @@ The back of the trouser legs are always wider than the front. This controls by h
|
|||
|
||||
<Note>
|
||||
|
||||
Increasing this will make the front leg panel narrower.\
|
||||
Increasing this will make the front leg panel narrower.
|
||||
This makes the wearer look more skinny.
|
||||
|
||||
This trick is often used in womenswear jeans
|
||||
|
|
|
@ -8,7 +8,7 @@ The back of the trouser legs are always wider than the front. This controls by h
|
|||
|
||||
<Note>
|
||||
|
||||
Increasing this will make the front leg panel narrower.\
|
||||
Increasing this will make the front leg panel narrower.
|
||||
This makes the wearer look more skinny.
|
||||
|
||||
This trick is often used in womenswear jeans
|
||||
|
|
|
@ -47,7 +47,7 @@ When sewing the left flap down on the outside, you may find it best to make a te
|
|||
|
||||
<Note>
|
||||
|
||||
If you wish to orientate the fly the other way change the left to right and right to left in the steps above.\
|
||||
If you wish to orientate the fly the other way change the left to right and right to left in the steps above.
|
||||
If wanting something more historical than omit the zipper and make a buttonhole fly instead.
|
||||
|
||||
</Note>
|
||||
|
|
|
@ -47,7 +47,7 @@ When sewing the left flap down on the outside, you may find it best to make a te
|
|||
|
||||
<Note>
|
||||
|
||||
If you wish to orientate the fly the other way change the left to right and right to left in the steps above.\
|
||||
If you wish to orientate the fly the other way change the left to right and right to left in the steps above.
|
||||
If wanting something more historical than omit the zipper and make a buttonhole fly instead.
|
||||
|
||||
</Note>
|
||||
|
|
|
@ -47,7 +47,7 @@ When sewing the left flap down on the outside, you may find it best to make a te
|
|||
|
||||
<Note>
|
||||
|
||||
If you wish to orientate the fly the other way change the left to right and right to left in the steps above.\
|
||||
If you wish to orientate the fly the other way change the left to right and right to left in the steps above.
|
||||
If wanting something more historical than omit the zipper and make a buttonhole fly instead.
|
||||
|
||||
</Note>
|
||||
|
|
|
@ -47,7 +47,7 @@ When sewing the left flap down on the outside, you may find it best to make a te
|
|||
|
||||
<Note>
|
||||
|
||||
If you wish to orientate the fly the other way change the left to right and right to left in the steps above.\
|
||||
If you wish to orientate the fly the other way change the left to right and right to left in the steps above.
|
||||
If wanting something more historical than omit the zipper and make a buttonhole fly instead.
|
||||
|
||||
</Note>
|
||||
|
|
|
@ -47,7 +47,7 @@ When sewing the left flap down on the outside, you may find it best to make a te
|
|||
|
||||
<Note>
|
||||
|
||||
If you wish to orientate the fly the other way change the left to right and right to left in the steps above.\
|
||||
If you wish to orientate the fly the other way change the left to right and right to left in the steps above.
|
||||
If wanting something more historical than omit the zipper and make a buttonhole fly instead.
|
||||
|
||||
</Note>
|
||||
|
|
|
@ -47,7 +47,7 @@ When sewing the left flap down on the outside, you may find it best to make a te
|
|||
|
||||
<Note>
|
||||
|
||||
If you wish to orientate the fly the other way change the left to right and right to left in the steps above.\
|
||||
If you wish to orientate the fly the other way change the left to right and right to left in the steps above.
|
||||
If wanting something more historical than omit the zipper and make a buttonhole fly instead.
|
||||
|
||||
</Note>
|
||||
|
|
|
@ -9,7 +9,7 @@ title: "Diana draped top: Sewing Instructions"
|
|||
|
||||
<Tip>
|
||||
|
||||
For woven fabric make this a bias cut strip.\
|
||||
For woven fabric make this a bias cut strip.
|
||||
For knit fabric make a strip with the stretch of the fabric running along the long edge.
|
||||
|
||||
</Tip>
|
||||
|
|
|
@ -9,7 +9,7 @@ title: "Diana draped top: Sewing Instructions"
|
|||
|
||||
<Tip>
|
||||
|
||||
For woven fabric make this a bias cut strip.\
|
||||
For woven fabric make this a bias cut strip.
|
||||
For knit fabric make a strip with the stretch of the fabric running along the long edge.
|
||||
|
||||
</Tip>
|
||||
|
|
|
@ -9,7 +9,7 @@ title: "Diana draped top: Sewing Instructions"
|
|||
|
||||
<Tip>
|
||||
|
||||
For woven fabric make this a bias cut strip.\
|
||||
For woven fabric make this a bias cut strip.
|
||||
For knit fabric make a strip with the stretch of the fabric running along the long edge.
|
||||
|
||||
</Tip>
|
||||
|
|
|
@ -9,7 +9,7 @@ title: "Diana draped top: Sewing Instructions"
|
|||
|
||||
<Tip>
|
||||
|
||||
For woven fabric make this a bias cut strip.\
|
||||
For woven fabric make this a bias cut strip.
|
||||
For knit fabric make a strip with the stretch of the fabric running along the long edge.
|
||||
|
||||
</Tip>
|
||||
|
|
|
@ -9,7 +9,7 @@ title: "Diana draped top: Sewing Instructions"
|
|||
|
||||
<Tip>
|
||||
|
||||
For woven fabric make this a bias cut strip.\
|
||||
For woven fabric make this a bias cut strip.
|
||||
For knit fabric make a strip with the stretch of the fabric running along the long edge.
|
||||
|
||||
</Tip>
|
||||
|
|
|
@ -9,7 +9,7 @@ title: "Diana draped top: Sewing Instructions"
|
|||
|
||||
<Tip>
|
||||
|
||||
For woven fabric make this a bias cut strip.\
|
||||
For woven fabric make this a bias cut strip.
|
||||
For knit fabric make a strip with the stretch of the fabric running along the long edge.
|
||||
|
||||
</Tip>
|
||||
|
|
|
@ -61,7 +61,7 @@ If you are uncertain about the length you want for you ties take 1 metre (39") o
|
|||
|
||||
<Note>
|
||||
|
||||
The lengths above are recommendations so feel free to go as long or as short as you like with the ties.\
|
||||
The lengths above are recommendations so feel free to go as long or as short as you like with the ties.
|
||||
If you prefer you can make your custom ties with fabric, [see Holmes cutting](/docs/patterns/holmes/cutting/) for more info.
|
||||
|
||||
</Note>
|
||||
|
@ -236,7 +236,7 @@ Das war's! Sie sind fertig. Genießen Sie jetzt die Welt in Ihrem wunderbaren ne
|
|||
|
||||
<Note>
|
||||
|
||||
Remember these instructions are just guidelines so don't worry if you want to construct the hat differently.\
|
||||
Remember these instructions are just guidelines so don't worry if you want to construct the hat differently.
|
||||
The Diagrams are yet to be made for this pattern so in the mean time if you need a visual aid, watch the YouTube video that inspired this pattern:
|
||||
|
||||
</Note>
|
||||
|
|
|
@ -61,7 +61,7 @@ If you are uncertain about the length you want for your ties take 1 metre (39")
|
|||
|
||||
<Note>
|
||||
|
||||
The lengths above are recommendations so feel free to go as long or as short as you like with the ties.\
|
||||
The lengths above are recommendations so feel free to go as long or as short as you like with the ties.
|
||||
If you prefer you can make your custom ties with fabric, [see Holmes cutting](/docs/patterns/holmes/cutting/) for more info.
|
||||
|
||||
</Note>
|
||||
|
@ -236,7 +236,7 @@ That's it! You're all done. Now enjoy the world in your wonderful new hat whilst
|
|||
|
||||
<Note>
|
||||
|
||||
Remember these instructions are just guidelines so don't worry if you want to construct the hat differently.\
|
||||
Remember these instructions are just guidelines so don't worry if you want to construct the hat differently.
|
||||
The Diagrams are yet to be made for this pattern so in the mean time if you need a visual aid, watch the YouTube video that inspired this pattern:
|
||||
|
||||
</Note>
|
||||
|
|
|
@ -61,7 +61,7 @@ If you are uncertain about the length you want for you ties take 1 metre (39") o
|
|||
|
||||
<Note>
|
||||
|
||||
The lengths above are recommendations so feel free to go as long or as short as you like with the ties.\
|
||||
The lengths above are recommendations so feel free to go as long or as short as you like with the ties.
|
||||
If you prefer you can make your custom ties with fabric, [see Holmes cutting](/docs/patterns/holmes/cutting/) for more info.
|
||||
|
||||
</Note>
|
||||
|
@ -236,7 +236,7 @@ Mientras que un botón cubierto está cubierto puedes usar cualquier botón que
|
|||
|
||||
<Note>
|
||||
|
||||
Remember these instructions are just guidelines so don't worry if you want to construct the hat differently.\
|
||||
Remember these instructions are just guidelines so don't worry if you want to construct the hat differently.
|
||||
The Diagrams are yet to be made for this pattern so in the mean time if you need a visual aid, watch the YouTube video that inspired this pattern:
|
||||
|
||||
</Note>
|
||||
|
|
|
@ -61,7 +61,7 @@ If you are uncertain about the length you want for you ties take 1 metre (39") o
|
|||
|
||||
<Note>
|
||||
|
||||
The lengths above are recommendations so feel free to go as long or as short as you like with the ties.\
|
||||
The lengths above are recommendations so feel free to go as long or as short as you like with the ties.
|
||||
If you prefer you can make your custom ties with fabric, [see Holmes cutting](/docs/patterns/holmes/cutting/) for more info.
|
||||
|
||||
</Note>
|
||||
|
@ -236,7 +236,7 @@ Voilà! « Vous avez fini. » Maintenant profitez du monde dans votre nouveau ch
|
|||
|
||||
<Note>
|
||||
|
||||
Remember these instructions are just guidelines so don't worry if you want to construct the hat differently.\
|
||||
Remember these instructions are just guidelines so don't worry if you want to construct the hat differently.
|
||||
The Diagrams are yet to be made for this pattern so in the mean time if you need a visual aid, watch the YouTube video that inspired this pattern:
|
||||
|
||||
</Note>
|
||||
|
|
|
@ -61,7 +61,7 @@ Als je onzeker bent over de lengte van je stropdassen duurt 1 meter (39") en kni
|
|||
|
||||
<Note>
|
||||
|
||||
The lengths above are recommendations so feel free to go as long or as short as you like with the ties.\
|
||||
The lengths above are recommendations so feel free to go as long or as short as you like with the ties.
|
||||
If you prefer you can make your custom ties with fabric, [see Holmes cutting](/docs/patterns/holmes/cutting/) for more info.
|
||||
|
||||
</Note>
|
||||
|
@ -236,7 +236,7 @@ Dat is het! Je bent allemaal klaar. Geniet nu van de wereld in je geweldige nieu
|
|||
|
||||
<Note>
|
||||
|
||||
Remember these instructions are just guidelines so don't worry if you want to construct the hat differently.\
|
||||
Remember these instructions are just guidelines so don't worry if you want to construct the hat differently.
|
||||
The Diagrams are yet to be made for this pattern so in the mean time if you need a visual aid, watch the YouTube video that inspired this pattern:
|
||||
|
||||
</Note>
|
||||
|
|
|
@ -61,7 +61,7 @@ If you are uncertain about the length you want for your ties take 1 metre (39")
|
|||
|
||||
<Note>
|
||||
|
||||
The lengths above are recommendations so feel free to go as long or as short as you like with the ties.\
|
||||
The lengths above are recommendations so feel free to go as long or as short as you like with the ties.
|
||||
If you prefer you can make your custom ties with fabric, [see Holmes cutting](/docs/patterns/holmes/cutting/) for more info.
|
||||
|
||||
</Note>
|
||||
|
@ -236,7 +236,7 @@ That's it! You're all done. Now enjoy the world in your wonderful new hat whilst
|
|||
|
||||
<Note>
|
||||
|
||||
Remember these instructions are just guidelines so don't worry if you want to construct the hat differently.\
|
||||
Remember these instructions are just guidelines so don't worry if you want to construct the hat differently.
|
||||
The Diagrams are yet to be made for this pattern so in the mean time if you need a visual aid, watch the YouTube video that inspired this pattern:
|
||||
|
||||
</Note>
|
||||
|
|
|
@ -128,7 +128,7 @@ Cut out the chest canvas piece. Align it along the roll line, and baste it in pl
|
|||
|
||||
Now baste the front canvas and chest piece to your front. Keep in mind that the canvas has no seam allowance.
|
||||
|
||||
> Base it a bit inwards from the seam line so you can fold it away when sewing these seams later.\
|
||||
> Base it a bit inwards from the seam line so you can fold it away when sewing these seams later.
|
||||
You don't want your canvas to get caught in the seams.
|
||||
|
||||
#### Halten Sie Ihre Lapels fest
|
||||
|
@ -163,10 +163,10 @@ Keep in mind that:
|
|||
|
||||

|
||||
|
||||
Place your front with the good side up, and your side on it with the good side down.\
|
||||
Place your front with the good side up, and your side on it with the good side down.
|
||||
Align the front/side seams, pin them in place if you feel like it, and sew them togther.
|
||||
|
||||
Place this down with the good side up, and place your back on top with the good side down.\
|
||||
Place this down with the good side up, and place your back on top with the good side down.
|
||||
Align the back/side seams, pin them in place if you feel like it, and sew them togther.
|
||||
|
||||
> Vergewissern Sie sich, dass die Leinwand nicht in der Naht gefangen wird.
|
||||
|
|
|
@ -146,7 +146,7 @@ Cut out the chest canvas piece. Align it along the roll line, and baste it in pl
|
|||
|
||||
Now baste the front canvas and chest piece to your front. Keep in mind that the canvas has no seam allowance.
|
||||
|
||||
> Base it a bit inwards from the seam line so you can fold it away when sewing these seams later.\
|
||||
> Base it a bit inwards from the seam line so you can fold it away when sewing these seams later.
|
||||
> You don't want your canvas to get caught in the seams.
|
||||
|
||||
#### Pad-stitch your lapels
|
||||
|
@ -187,10 +187,10 @@ Keep in mind that:
|
|||
|
||||

|
||||
|
||||
Place your front with the good side up, and your side on it with the good side down.\
|
||||
Place your front with the good side up, and your side on it with the good side down.
|
||||
Align the front/side seams, pin them in place if you feel like it, and sew them togther.
|
||||
|
||||
Place this down with the good side up, and place your back on top with the good side down.\
|
||||
Place this down with the good side up, and place your back on top with the good side down.
|
||||
Align the back/side seams, pin them in place if you feel like it, and sew them togther.
|
||||
|
||||
> Make sure the canvas does not get caught in the seam.
|
||||
|
|
|
@ -128,7 +128,7 @@ Cut out the chest canvas piece. Align it along the roll line, and baste it in pl
|
|||
|
||||
Now baste the front canvas and chest piece to your front. Keep in mind that the canvas has no seam allowance.
|
||||
|
||||
> Base it a bit inwards from the seam line so you can fold it away when sewing these seams later.\
|
||||
> Base it a bit inwards from the seam line so you can fold it away when sewing these seams later.
|
||||
You don't want your canvas to get caught in the seams.
|
||||
|
||||
#### Une tus lámparas
|
||||
|
@ -163,10 +163,10 @@ Keep in mind that:
|
|||
|
||||

|
||||
|
||||
Place your front with the good side up, and your side on it with the good side down.\
|
||||
Place your front with the good side up, and your side on it with the good side down.
|
||||
Align the front/side seams, pin them in place if you feel like it, and sew them togther.
|
||||
|
||||
Place this down with the good side up, and place your back on top with the good side down.\
|
||||
Place this down with the good side up, and place your back on top with the good side down.
|
||||
Align the back/side seams, pin them in place if you feel like it, and sew them togther.
|
||||
|
||||
> Asegúrese de que el lienzo no sea capturado en la costura.
|
||||
|
|
|
@ -128,7 +128,7 @@ Cut out the chest canvas piece. Align it along the roll line, and baste it in pl
|
|||
|
||||
Now baste the front canvas and chest piece to your front. Keep in mind that the canvas has no seam allowance.
|
||||
|
||||
> Base it a bit inwards from the seam line so you can fold it away when sewing these seams later.\
|
||||
> Base it a bit inwards from the seam line so you can fold it away when sewing these seams later.
|
||||
You don't want your canvas to get caught in the seams.
|
||||
|
||||
#### Coupez vos genoux
|
||||
|
@ -163,10 +163,10 @@ Keep in mind that:
|
|||
|
||||

|
||||
|
||||
Place your front with the good side up, and your side on it with the good side down.\
|
||||
Place your front with the good side up, and your side on it with the good side down.
|
||||
Align the front/side seams, pin them in place if you feel like it, and sew them togther.
|
||||
|
||||
Place this down with the good side up, and place your back on top with the good side down.\
|
||||
Place this down with the good side up, and place your back on top with the good side down.
|
||||
Align the back/side seams, pin them in place if you feel like it, and sew them togther.
|
||||
|
||||
> Assurez-vous que la toile ne soit pas prise dans la couture.
|
||||
|
|
|
@ -128,7 +128,7 @@ Cut out the chest canvas piece. Align it along the roll line, and baste it in pl
|
|||
|
||||
Now baste the front canvas and chest piece to your front. Keep in mind that the canvas has no seam allowance.
|
||||
|
||||
> Base it a bit inwards from the seam line so you can fold it away when sewing these seams later.\
|
||||
> Base it a bit inwards from the seam line so you can fold it away when sewing these seams later.
|
||||
You don't want your canvas to get caught in the seams.
|
||||
|
||||
#### Pikeer je revers
|
||||
|
@ -163,10 +163,10 @@ Keep in mind that:
|
|||
|
||||

|
||||
|
||||
Place your front with the good side up, and your side on it with the good side down.\
|
||||
Place your front with the good side up, and your side on it with the good side down.
|
||||
Align the front/side seams, pin them in place if you feel like it, and sew them togther.
|
||||
|
||||
Place this down with the good side up, and place your back on top with the good side down.\
|
||||
Place this down with the good side up, and place your back on top with the good side down.
|
||||
Align the back/side seams, pin them in place if you feel like it, and sew them togther.
|
||||
|
||||
> Let op dat het haardoek niet mee vastgestikt wordt.
|
||||
|
|
|
@ -128,7 +128,7 @@ Cut out the chest canvas piece. Align it along the roll line, and baste it in pl
|
|||
|
||||
Now baste the front canvas and chest piece to your front. Keep in mind that the canvas has no seam allowance.
|
||||
|
||||
> Base it a bit inwards from the seam line so you can fold it away when sewing these seams later.\
|
||||
> Base it a bit inwards from the seam line so you can fold it away when sewing these seams later.
|
||||
You don't want your canvas to get caught in the seams.
|
||||
|
||||
#### Pad-stitch your lapels
|
||||
|
@ -163,10 +163,10 @@ Keep in mind that:
|
|||
|
||||

|
||||
|
||||
Place your front with the good side up, and your side on it with the good side down.\
|
||||
Place your front with the good side up, and your side on it with the good side down.
|
||||
Align the front/side seams, pin them in place if you feel like it, and sew them togther.
|
||||
|
||||
Place this down with the good side up, and place your back on top with the good side down.\
|
||||
Place this down with the good side up, and place your back on top with the good side down.
|
||||
Align the back/side seams, pin them in place if you feel like it, and sew them togther.
|
||||
|
||||
> Make sure the canvas does not get caught in the seam.
|
||||
|
|
|
@ -11,7 +11,7 @@ A lot of garments were woven to shape in the Roman era, so this is one aspect wh
|
|||
|
||||
<Comment by="Zee">In that case I salute you and please share the results \[in our discord\](https://discord.freesewing.org/)! </Comment>
|
||||
|
||||
If you want to learn more about this you can read about it in:\
|
||||
If you want to learn more about this you can read about it in:
|
||||
Granger-Taylor, H. (1982) _Weaving Clothes To Shape in the Ancient World: The Tunic and Toga of the Arringatore_ in Textile History 13 (1), pp 3-25
|
||||
|
||||
### On Historical Accuracy
|
||||
|
|
|
@ -11,7 +11,7 @@ A lot of garments were woven to shape in the Roman era, so this is one aspect wh
|
|||
|
||||
<Comment by="Zee">In that case I salute you and please share the results [in our discord](https://discord.freesewing.org/)! </Comment>
|
||||
|
||||
If you want to learn more about this you can read about it in:\
|
||||
If you want to learn more about this you can read about it in:
|
||||
Granger-Taylor, H. (1982) _Weaving Clothes To Shape in the Ancient World: The Tunic and Toga of the Arringatore_ in Textile History 13 (1), pp 3-25
|
||||
|
||||
### On Historical Accuracy
|
||||
|
|
|
@ -11,7 +11,7 @@ A lot of garments were woven to shape in the Roman era, so this is one aspect wh
|
|||
|
||||
<Comment by="Zee">In that case I salute you and please share the results \[in our discord\](https://discord.freesewing.org/)! </Comment>
|
||||
|
||||
If you want to learn more about this you can read about it in:\
|
||||
If you want to learn more about this you can read about it in:
|
||||
Granger-Taylor, H. (1982) _Weaving Clothes To Shape in the Ancient World: The Tunic and Toga of the Arringatore_ in Textile History 13 (1), pp 3-25
|
||||
|
||||
### On Historical Accuracy
|
||||
|
|
|
@ -11,7 +11,7 @@ A lot of garments were woven to shape in the Roman era, so this is one aspect wh
|
|||
|
||||
<Comment by="Zee">In that case I salute you and please share the results \[in our discord\](https://discord.freesewing.org/)! </Comment>
|
||||
|
||||
If you want to learn more about this you can read about it in:\
|
||||
If you want to learn more about this you can read about it in:
|
||||
Granger-Taylor, H. (1982) _Weaving Clothes To Shape in the Ancient World: The Tunic and Toga of the Arringatore_ in Textile History 13 (1), pp 3-25
|
||||
|
||||
### On Historical Accuracy
|
||||
|
|
|
@ -11,7 +11,7 @@ A lot of garments were woven to shape in the Roman era, so this is one aspect wh
|
|||
|
||||
<Comment by="Zee">In that case I salute you and please share the results \[in our discord\](https://discord.freesewing.org/)! </Comment>
|
||||
|
||||
If you want to learn more about this you can read about it in:\
|
||||
If you want to learn more about this you can read about it in:
|
||||
Granger-Taylor, H. (1982) _Weaving Clothes To Shape in the Ancient World: The Tunic and Toga of the Arringatore_ in Textile History 13 (1), pp 3-25
|
||||
|
||||
### On Historical Accuracy
|
||||
|
|
|
@ -11,7 +11,7 @@ A lot of garments were woven to shape in the Roman era, so this is one aspect wh
|
|||
|
||||
<Comment by="Zee">In that case I salute you and please share the results \[in our discord\](https://discord.freesewing.org/)! </Comment>
|
||||
|
||||
If you want to learn more about this you can read about it in:\
|
||||
If you want to learn more about this you can read about it in:
|
||||
Granger-Taylor, H. (1982) _Weaving Clothes To Shape in the Ancient World: The Tunic and Toga of the Arringatore_ in Textile History 13 (1), pp 3-25
|
||||
|
||||
### On Historical Accuracy
|
||||
|
|
|
@ -10,5 +10,5 @@ Otherwise, any wool or linen in both plain and other weaves would be a good choi
|
|||
|
||||
If you are not working with any historicalness in mind Lunetius can be made out of a variety of fabrics. A woven fabric would drape in a different way compared to a stretch or knitted fabric but you are only limited by your imagination.
|
||||
|
||||
More information on Roman cloak fabrics can be found in:\
|
||||
More information on Roman cloak fabrics can be found in:
|
||||
Jorgensen, L. B. (2004) _A Matter of Material: Changes in Textiles from Roman Sites in Egypt’s Eastern Desert_, in An Tard 11, pp 87-99
|
||||
|
|
|
@ -10,5 +10,5 @@ Otherwise, any wool or linen in both plain and other weaves would be a good choi
|
|||
|
||||
If you are not working with any historicalness in mind Lunetius can be made out of a variety of fabrics. A woven fabric would drape in a different way compared to a stretch or knitted fabric but you are only limited by your imagination.
|
||||
|
||||
More information on Roman cloak fabrics can be found in:\
|
||||
More information on Roman cloak fabrics can be found in:
|
||||
Jorgensen, L. B. (2004) _A Matter of Material: Changes in Textiles from Roman Sites in Egypt’s Eastern Desert_, in An Tard 11, pp 87-99
|
||||
|
|
|
@ -10,5 +10,5 @@ Otherwise, any wool or linen in both plain and other weaves would be a good choi
|
|||
|
||||
If you are not working with any historicalness in mind Lunetius can be made out of a variety of fabrics. A woven fabric would drape in a different way compared to a stretch or knitted fabric but you are only limited by your imagination.
|
||||
|
||||
More information on Roman cloak fabrics can be found in:\
|
||||
More information on Roman cloak fabrics can be found in:
|
||||
Jorgensen, L. B. (2004) _A Matter of Material: Changes in Textiles from Roman Sites in Egypt’s Eastern Desert_, in An Tard 11, pp 87-99
|
||||
|
|
|
@ -10,5 +10,5 @@ Otherwise, any wool or linen in both plain and other weaves would be a good choi
|
|||
|
||||
If you are not working with any historicalness in mind Lunetius can be made out of a variety of fabrics. A woven fabric would drape in a different way compared to a stretch or knitted fabric but you are only limited by your imagination.
|
||||
|
||||
More information on Roman cloak fabrics can be found in:\
|
||||
More information on Roman cloak fabrics can be found in:
|
||||
Jorgensen, L. B. (2004) _A Matter of Material: Changes in Textiles from Roman Sites in Egypt’s Eastern Desert_, in An Tard 11, pp 87-99
|
||||
|
|
|
@ -10,5 +10,5 @@ Otherwise, any wool or linen in both plain and other weaves would be a good choi
|
|||
|
||||
If you are not working with any historicalness in mind Lunetius can be made out of a variety of fabrics. A woven fabric would drape in a different way compared to a stretch or knitted fabric but you are only limited by your imagination.
|
||||
|
||||
More information on Roman cloak fabrics can be found in:\
|
||||
More information on Roman cloak fabrics can be found in:
|
||||
Jorgensen, L. B. (2004) _A Matter of Material: Changes in Textiles from Roman Sites in Egypt’s Eastern Desert_, in An Tard 11, pp 87-99
|
||||
|
|
|
@ -10,5 +10,5 @@ Otherwise, any wool or linen in both plain and other weaves would be a good choi
|
|||
|
||||
If you are not working with any historicalness in mind Lunetius can be made out of a variety of fabrics. A woven fabric would drape in a different way compared to a stretch or knitted fabric but you are only limited by your imagination.
|
||||
|
||||
More information on Roman cloak fabrics can be found in:\
|
||||
More information on Roman cloak fabrics can be found in:
|
||||
Jorgensen, L. B. (2004) _A Matter of Material: Changes in Textiles from Roman Sites in Egypt’s Eastern Desert_, in An Tard 11, pp 87-99
|
||||
|
|
|
@ -4,7 +4,7 @@ title: "Paco pants: Fabric Options"
|
|||
|
||||
These work best in a lighter fabric with relatively good drape.
|
||||
|
||||
A light cotton, or chambray are particularly well-suited.\
|
||||
A light cotton, or chambray are particularly well-suited.
|
||||
Rayon or jersey will work too, but will give it a more casual-look.
|
||||
|
||||
For the opposite effect, less casual and more style, you can consider a silk blend or light wool.
|
||||
|
|
|
@ -4,7 +4,7 @@ title: "Paco pants: Fabric Options"
|
|||
|
||||
These work best in a lighter fabric with relatively good drape.
|
||||
|
||||
A light cotton, or chambray are particularly well-suited.\
|
||||
A light cotton, or chambray are particularly well-suited.
|
||||
Rayon or jersey will work too, but will give it a more casual-look.
|
||||
|
||||
For the opposite effect, less casual and more style, you can consider a silk blend or light wool.
|
||||
|
|
|
@ -4,7 +4,7 @@ title: "Crotch drop"
|
|||
|
||||
Steuert wie stark der Schneider gesenkt wird.
|
||||
|
||||
Lowering the crotch makes for a more casual fit.\
|
||||
Lowering the crotch makes for a more casual fit.
|
||||
A signigicantly lowered crotched can also be a style choice.
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
|
|
@ -4,7 +4,7 @@ title: "Crotch drop"
|
|||
|
||||
Controls by how much the crotch is lowered.
|
||||
|
||||
Lowering the crotch makes for a more casual fit.\
|
||||
Lowering the crotch makes for a more casual fit.
|
||||
A signigicantly lowered crotched can also be a style choice.
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
|
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Add table
Add a link
Reference in a new issue