chore(markdown): Linter auto-fix of org markdown docs
This commit is contained in:
Joost De Cock
Nick Dower
parent
0afc00eda3
commit
4e694f82b2
6133 changed files with 21365 additions and 23190 deletions
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@ -1,8 +1,8 @@
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**Oberstoff**
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- Schneide **1 Vorderteil** im Stoffbruch.
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- Cut **1 Back** part on the fold.
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- Schneide **2 Ärmel**.
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- Schneide **1 Vorderteil** im Stoffbruch.
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- Cut **1 Back** part on the fold.
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- Schneide **2 Ärmel**.
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Diese Anleitung ist nur für den Brian-Grundschnitt mit Standardeinstellungen. Passe deinen Zuschnitt entsprechend an, falls du Änderungen am Grundschnitt vornimmst.
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@ -1,8 +1,8 @@
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**Main fabric**
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- Cut **1 Front** part on the fold.
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- Cut **1 Back** part on the fold.
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- Cut **2 Sleeve** parts.
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- Cut **1 Front** part on the fold.
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- Cut **1 Back** part on the fold.
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- Cut **2 Sleeve** parts.
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These cutting instructions are just for the default Brian block. Adjust your cutting accordingly if you have/are making changes to the block.
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@ -1,8 +1,8 @@
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**Tela principal**
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- Cut **1 Front** part on the fold.
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- Cut **1 Back** part on the fold.
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- Cut **2 Sleeve** parts.
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- Cut **1 Front** part on the fold.
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- Cut **1 Back** part on the fold.
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- Cut **2 Sleeve** parts.
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These cutting instructions are just for the default Brian block. Adjust your cutting accordingly if you have/are making changes to the block.
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@ -1,8 +1,8 @@
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**Tissu principal**
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- Cut **1 Front** part on the fold.
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- Cut **1 Back** part on the fold.
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- Cut **2 Sleeve** parts.
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- Cut **1 Front** part on the fold.
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- Cut **1 Back** part on the fold.
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- Cut **2 Sleeve** parts.
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These cutting instructions are just for the default Brian block. Adjust your cutting accordingly if you have/are making changes to the block.
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@ -1,8 +1,8 @@
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**Buitenstof**
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- Cut **1 Front** part on the fold.
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- Cut **1 Back** part on the fold.
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- Cut **2 Sleeve** parts.
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- Cut **1 Front** part on the fold.
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- Cut **1 Back** part on the fold.
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- Cut **2 Sleeve** parts.
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These cutting instructions are just for the default Brian block. Adjust your cutting accordingly if you have/are making changes to the block.
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@ -1,6 +1,5 @@
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- - -
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- - -
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***
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***
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<PatternDocs pattern='brian' />
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@ -1,6 +1,4 @@
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---
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---
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<PatternDocs pattern='brian' />
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@ -1,6 +1,5 @@
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- - -
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- - -
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***
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***
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<PatternDocs pattern='brian' />
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@ -12,4 +12,3 @@ Sie werden manchmal auch als Schläger bezeichnet, obwohl Puristen argumentieren
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Grundschnitte werden in der Regel nicht so gemacht, wie sie sind, sondern dienen als Grundlage für andere Schnittmuster.
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</Note>
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@ -1,4 +1,4 @@
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If you are making a default Brian to see how it fits we recommend a fabric such as **Calico (Muslin)** or a cheaper fabric that matches the drape and stretch of the fabric you intend to make a finalised version of Brian with.
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If you are making a default Brian to see how it fits we recommend a fabric such as **Calico (Muslin)** or a cheaper fabric that matches the drape and stretch of the fabric you intend to make a finalised version of Brian with.
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You can use scraps of fabrics from your stash so don't worry about buying fabric specifically for Brian.
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@ -12,4 +12,3 @@ They are sometimes also called slopers, although purists will argue that a block
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Blocks are typically not made as-is but rather serve as a basis for other patterns.
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</Note>
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@ -12,4 +12,3 @@ A veces también se llaman trampas, aunque los puristas argumentarán que un blo
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Los bloques normalmente no se hacen as-is sino que sirven como base para otros patrones.
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</Note>
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@ -12,4 +12,3 @@ Ils sont parfois aussi appelés patrons de base, bien que les puristes soutienne
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Les patrons de base ne sont donc généralement pas utilisés tels quels, mais plutôt pour élaborer d'autres modèles.
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</Note>
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@ -12,4 +12,3 @@ Dit wordt soms ook een paspatroon genoemd, alhoewel puristen zeggen dat dit twee
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Blokken worden meestal niet gemaakt zoals is, maar dienen als basis voor andere patronen.
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</Note>
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@ -1,6 +1,5 @@
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- - -
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- - -
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***
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***
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<PatternDocs pattern='brian' />
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@ -11,9 +11,9 @@ Blocks are typically not made as-is but rather serve as a basis for other patter
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### Step 1: Mock-up Construction
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- Sew the front to the backs at the shoulders good sides together.
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- Matching notches, sew the sleeves to the shoulder good sides together.
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- Sew the side seams good sides together.
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- Sew the front to the backs at the shoulders good sides together.
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- Matching notches, sew the sleeves to the shoulder good sides together.
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- Sew the side seams good sides together.
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<Note>
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@ -29,27 +29,28 @@ If you are making adjustments you may wish to sew the seams wrong sides together
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### Schritt 2: Anprobieren
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- Try it on and check the fit by pinning the back closed whilst wearing it.
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- Make any alterations and try it on again.
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- Repeat until you are happy.
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- Try it on and check the fit by pinning the back closed whilst wearing it.
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- Make any alterations and try it on again.
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- Repeat until you are happy.
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<Tip>
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If you do not have someone to help with pinning, you may find it easier to cut the front part in two with seam allowance rather than on a fold and sew the back seam up so that you can pin in the front when trying on.
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If you do not have someone to help with pinning, you may find it easier to cut the front part in two with seam allowance rather than on a fold and sew the back seam up so that you can pin in the front when trying on.
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Keep an eye out for anything you keep doing whilst wearing the mock-up, are you pulling it down? Constantly adjusting the shoulder? etc. Things like these are signs of where the pattern may need adjusting.
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Keep an eye out for anything you keep doing whilst wearing the mock-up, are you pulling it down? Constantly adjusting the shoulder? etc. Things like these are signs of where the pattern may need adjusting.
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Sometimes you may need to wear the mock-up for an extended amount of time to get a better sense of the fit so don't be afraid to walk around in it for a couple of hours.
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</Tip>
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<Note>
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Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.
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Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.\
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For instance:
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- Change the neck line
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- Add/change the closure allowances
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- Add a collar
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- Change the neck line
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- Add/change the closure allowances
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- Add a collar
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It is all up to you! Experiment and go forth!
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@ -57,13 +58,11 @@ It is all up to you! Experiment and go forth!
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### Schritt 3: Erstelle ein Papierschnittmuster
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- Once happy with all your changes unpick your mockup and make a paper pattern based off of it.
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- Now you have a pattern you can use to produce a garment.
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- Once happy with all your changes unpick your mockup and make a paper pattern based off of it.
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- Now you have a pattern you can use to produce a garment.
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<Note>
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It is best practice to make a paper pattern from the mock-up if you have made any alterations, as this will allow you to clean up any lines but also means you have a pattern that you can keep producing garments from.
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</Note>
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@ -11,9 +11,9 @@ Blocks are typically not made as-is but rather serve as a basis for other patter
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### Step 1: Mock-up Construction
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- Sew the front to the backs at the shoulders good sides together.
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- Matching notches, sew the sleeves to the shoulder good sides together.
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- Sew the side seams good sides together.
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- Sew the front to the backs at the shoulders good sides together.
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- Matching notches, sew the sleeves to the shoulder good sides together.
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- Sew the side seams good sides together.
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<Note>
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@ -29,27 +29,28 @@ If you are making adjustments you may wish to sew the seams wrong sides together
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### Step 2: Try it on
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- Try it on and check the fit by pinning the back closed whilst wearing it.
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- Make any alterations and try it on again.
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- Repeat until you are happy.
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- Try it on and check the fit by pinning the back closed whilst wearing it.
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- Make any alterations and try it on again.
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- Repeat until you are happy.
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<Tip>
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If you do not have someone to help with pinning, you may find it easier to cut the front part in two with seam allowance rather than on a fold and sew the back seam up so that you can pin in the front when trying on.
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If you do not have someone to help with pinning, you may find it easier to cut the front part in two with seam allowance rather than on a fold and sew the back seam up so that you can pin in the front when trying on.
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Keep an eye out for anything you keep doing whilst wearing the mock-up, are you pulling it down? Constantly adjusting the shoulder? etc. Things like these are signs of where the pattern may need adjusting.
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Keep an eye out for anything you keep doing whilst wearing the mock-up, are you pulling it down? Constantly adjusting the shoulder? etc. Things like these are signs of where the pattern may need adjusting.
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Sometimes you may need to wear the mock-up for an extended amount of time to get a better sense of the fit so don't be afraid to walk around in it for a couple of hours.
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</Tip>
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<Note>
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Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.
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|
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Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.\
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For instance:
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- Change the neck line
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- Add/change the closure allowances
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- Add a collar
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- Change the neck line
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- Add/change the closure allowances
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- Add a collar
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It is all up to you! Experiment and go forth!
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@ -57,13 +58,11 @@ It is all up to you! Experiment and go forth!
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### Step 3: Make a paper pattern
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- Once happy with all your changes unpick your mockup and make a paper pattern based off of it.
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- Now you have a pattern you can use to produce a garment.
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- Once happy with all your changes unpick your mockup and make a paper pattern based off of it.
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- Now you have a pattern you can use to produce a garment.
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<Note>
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It is best practice to make a paper pattern from the mock-up if you have made any alterations, as this will allow you to clean up any lines but also means you have a pattern that you can keep producing garments from.
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</Note>
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@ -11,9 +11,9 @@ Blocks are typically not made as-is but rather serve as a basis for other patter
|
|||
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### Step 1: Mock-up Construction
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||||
|
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- Sew the front to the backs at the shoulders good sides together.
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- Matching notches, sew the sleeves to the shoulder good sides together.
|
||||
- Sew the side seams good sides together.
|
||||
- Sew the front to the backs at the shoulders good sides together.
|
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- Matching notches, sew the sleeves to the shoulder good sides together.
|
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- Sew the side seams good sides together.
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<Note>
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@ -29,27 +29,28 @@ If you are making adjustments you may wish to sew the seams wrong sides together
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### Step 2: Try it on
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- Try it on and check the fit by pinning the back closed whilst wearing it.
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- Make any alterations and try it on again.
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- Repeat until you are happy.
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- Try it on and check the fit by pinning the back closed whilst wearing it.
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- Make any alterations and try it on again.
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- Repeat until you are happy.
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<Tip>
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If you do not have someone to help with pinning, you may find it easier to cut the front part in two with seam allowance rather than on a fold and sew the back seam up so that you can pin in the front when trying on.
|
||||
If you do not have someone to help with pinning, you may find it easier to cut the front part in two with seam allowance rather than on a fold and sew the back seam up so that you can pin in the front when trying on.
|
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|
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Keep an eye out for anything you keep doing whilst wearing the mock-up, are you pulling it down? Constantly adjusting the shoulder? etc. Things like these are signs of where the pattern may need adjusting.
|
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Keep an eye out for anything you keep doing whilst wearing the mock-up, are you pulling it down? Constantly adjusting the shoulder? etc. Things like these are signs of where the pattern may need adjusting.
|
||||
|
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Sometimes you may need to wear the mock-up for an extended amount of time to get a better sense of the fit so don't be afraid to walk around in it for a couple of hours.
|
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</Tip>
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<Note>
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Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
For instance:
|
||||
- Change the neck line
|
||||
- Add/change the closure allowances
|
||||
- Add a collar
|
||||
|
||||
- Change the neck line
|
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- Add/change the closure allowances
|
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- Add a collar
|
||||
|
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It is all up to you! Experiment and go forth!
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@ -57,13 +58,11 @@ It is all up to you! Experiment and go forth!
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### Step 3: Make a paper pattern
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|
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- Once happy with all your changes unpick your mockup and make a paper pattern based off of it.
|
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- Now you have a pattern you can use to produce a garment.
|
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- Once happy with all your changes unpick your mockup and make a paper pattern based off of it.
|
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- Now you have a pattern you can use to produce a garment.
|
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<Note>
|
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|
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It is best practice to make a paper pattern from the mock-up if you have made any alterations, as this will allow you to clean up any lines but also means you have a pattern that you can keep producing garments from.
|
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</Note>
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|
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@ -11,9 +11,9 @@ Blocks are typically not made as-is but rather serve as a basis for other patter
|
|||
|
||||
### Step 1: Mock-up Construction
|
||||
|
||||
- Sew the front to the backs at the shoulders good sides together.
|
||||
- Matching notches, sew the sleeves to the shoulder good sides together.
|
||||
- Sew the side seams good sides together.
|
||||
- Sew the front to the backs at the shoulders good sides together.
|
||||
- Matching notches, sew the sleeves to the shoulder good sides together.
|
||||
- Sew the side seams good sides together.
|
||||
|
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<Note>
|
||||
|
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@ -29,27 +29,28 @@ If you are making adjustments you may wish to sew the seams wrong sides together
|
|||
|
||||
### Step 2: Try it on
|
||||
|
||||
- Try it on and check the fit by pinning the back closed whilst wearing it.
|
||||
- Make any alterations and try it on again.
|
||||
- Repeat until you are happy.
|
||||
- Try it on and check the fit by pinning the back closed whilst wearing it.
|
||||
- Make any alterations and try it on again.
|
||||
- Repeat until you are happy.
|
||||
|
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<Tip>
|
||||
|
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If you do not have someone to help with pinning, you may find it easier to cut the front part in two with seam allowance rather than on a fold and sew the back seam up so that you can pin in the front when trying on.
|
||||
If you do not have someone to help with pinning, you may find it easier to cut the front part in two with seam allowance rather than on a fold and sew the back seam up so that you can pin in the front when trying on.
|
||||
|
||||
Keep an eye out for anything you keep doing whilst wearing the mock-up, are you pulling it down? Constantly adjusting the shoulder? etc. Things like these are signs of where the pattern may need adjusting.
|
||||
Keep an eye out for anything you keep doing whilst wearing the mock-up, are you pulling it down? Constantly adjusting the shoulder? etc. Things like these are signs of where the pattern may need adjusting.
|
||||
|
||||
Sometimes you may need to wear the mock-up for an extended amount of time to get a better sense of the fit so don't be afraid to walk around in it for a couple of hours.
|
||||
|
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</Tip>
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<Note>
|
||||
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
For instance:
|
||||
- Change the neck line
|
||||
- Add/change the closure allowances
|
||||
- Add a collar
|
||||
|
||||
- Change the neck line
|
||||
- Add/change the closure allowances
|
||||
- Add a collar
|
||||
|
||||
It is all up to you! Experiment and go forth!
|
||||
|
||||
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@ -57,13 +58,11 @@ It is all up to you! Experiment and go forth!
|
|||
|
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### Step 3: Make a paper pattern
|
||||
|
||||
- Once happy with all your changes unpick your mockup and make a paper pattern based off of it.
|
||||
- Now you have a pattern you can use to produce a garment.
|
||||
- Once happy with all your changes unpick your mockup and make a paper pattern based off of it.
|
||||
- Now you have a pattern you can use to produce a garment.
|
||||
|
||||
<Note>
|
||||
|
||||
It is best practice to make a paper pattern from the mock-up if you have made any alterations, as this will allow you to clean up any lines but also means you have a pattern that you can keep producing garments from.
|
||||
|
||||
</Note>
|
||||
|
||||
|
||||
|
|
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|||
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@ -11,9 +11,9 @@ Blocks are typically not made as-is but rather serve as a basis for other patter
|
|||
|
||||
### Step 1: Mock-up Construction
|
||||
|
||||
- Sew the front to the backs at the shoulders good sides together.
|
||||
- Matching notches, sew the sleeves to the shoulder good sides together.
|
||||
- Sew the side seams good sides together.
|
||||
- Sew the front to the backs at the shoulders good sides together.
|
||||
- Matching notches, sew the sleeves to the shoulder good sides together.
|
||||
- Sew the side seams good sides together.
|
||||
|
||||
<Note>
|
||||
|
||||
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|
@ -29,27 +29,28 @@ If you are making adjustments you may wish to sew the seams wrong sides together
|
|||
|
||||
### Step 2: Try it on
|
||||
|
||||
- Try it on and check the fit by pinning the back closed whilst wearing it.
|
||||
- Make any alterations and try it on again.
|
||||
- Repeat until you are happy.
|
||||
- Try it on and check the fit by pinning the back closed whilst wearing it.
|
||||
- Make any alterations and try it on again.
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||||
- Repeat until you are happy.
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<Tip>
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||||
|
||||
If you do not have someone to help with pinning, you may find it easier to cut the front part in two with seam allowance rather than on a fold and sew the back seam up so that you can pin in the front when trying on.
|
||||
If you do not have someone to help with pinning, you may find it easier to cut the front part in two with seam allowance rather than on a fold and sew the back seam up so that you can pin in the front when trying on.
|
||||
|
||||
Keep an eye out for anything you keep doing whilst wearing the mock-up, are you pulling it down? Constantly adjusting the shoulder? etc. Things like these are signs of where the pattern may need adjusting.
|
||||
Keep an eye out for anything you keep doing whilst wearing the mock-up, are you pulling it down? Constantly adjusting the shoulder? etc. Things like these are signs of where the pattern may need adjusting.
|
||||
|
||||
Sometimes you may need to wear the mock-up for an extended amount of time to get a better sense of the fit so don't be afraid to walk around in it for a couple of hours.
|
||||
|
||||
</Tip>
|
||||
|
||||
<Note>
|
||||
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.
|
||||
|
||||
Remember to treat Brian as a basis rather than a final product, so adjust what you need to get the desired look.\
|
||||
For instance:
|
||||
- Change the neck line
|
||||
- Add/change the closure allowances
|
||||
- Add a collar
|
||||
|
||||
- Change the neck line
|
||||
- Add/change the closure allowances
|
||||
- Add a collar
|
||||
|
||||
It is all up to you! Experiment and go forth!
|
||||
|
||||
|
|
@ -57,13 +58,11 @@ It is all up to you! Experiment and go forth!
|
|||
|
||||
### Step 3: Make a paper pattern
|
||||
|
||||
- Once happy with all your changes unpick your mockup and make a paper pattern based off of it.
|
||||
- Now you have a pattern you can use to produce a garment.
|
||||
- Once happy with all your changes unpick your mockup and make a paper pattern based off of it.
|
||||
- Now you have a pattern you can use to produce a garment.
|
||||
|
||||
<Note>
|
||||
|
||||
It is best practice to make a paper pattern from the mock-up if you have made any alterations, as this will allow you to clean up any lines but also means you have a pattern that you can keep producing garments from.
|
||||
|
||||
</Note>
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,5 @@
|
|||
- - -
|
||||
- - -
|
||||
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
<PatternMeasurements pattern='brian' />
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,4 @@
|
|||
---
|
||||
---
|
||||
|
||||
|
||||
|
||||
<PatternMeasurements pattern='brian' />
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,5 @@
|
|||
- - -
|
||||
- - -
|
||||
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
<PatternMeasurements pattern='brian' />
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,5 @@
|
|||
- - -
|
||||
- - -
|
||||
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
<PatternMeasurements pattern='brian' />
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,5 @@
|
|||
- - -
|
||||
- - -
|
||||
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
<PatternMeasurements pattern='brian' />
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,7 @@
|
|||
To make Brian, you will need the following:
|
||||
|
||||
- Grundlegendes Nähzubehör
|
||||
- About 1.25 - 1.5 metres (1.4 - 1.7 yards) of a suitable fabric ([see Brian Fabric options](/docs/patterns/brian/fabric/))
|
||||
- Grundlegendes Nähzubehör
|
||||
- About 1.25 - 1.5 metres (1.4 - 1.7 yards) of a suitable fabric ([see Brian Fabric options](/docs/patterns/brian/fabric/))
|
||||
|
||||
This list is for a default Brian Block. If you have/are making changes to the block you may need to get additional items such as closures, binding etc.
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,7 @@
|
|||
To make Brian, you will need the following:
|
||||
|
||||
- Basic sewing supplies
|
||||
- About 1.25 - 1.5 metres (1.4 - 1.7 yards) of a suitable fabric ([see Brian Fabric options](/docs/patterns/brian/fabric/))
|
||||
- Basic sewing supplies
|
||||
- About 1.25 - 1.5 metres (1.4 - 1.7 yards) of a suitable fabric ([see Brian Fabric options](/docs/patterns/brian/fabric/))
|
||||
|
||||
This list is for a default Brian Block. If you have/are making changes to the block you may need to get additional items such as closures, binding etc.
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,7 @@
|
|||
To make Brian, you will need the following:
|
||||
|
||||
- Suministros básicos de costura
|
||||
- About 1.25 - 1.5 metres (1.4 - 1.7 yards) of a suitable fabric ([see Brian Fabric options](/docs/patterns/brian/fabric/))
|
||||
- Suministros básicos de costura
|
||||
- About 1.25 - 1.5 metres (1.4 - 1.7 yards) of a suitable fabric ([see Brian Fabric options](/docs/patterns/brian/fabric/))
|
||||
|
||||
This list is for a default Brian Block. If you have/are making changes to the block you may need to get additional items such as closures, binding etc.
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,7 @@
|
|||
To make Brian, you will need the following:
|
||||
|
||||
- Fourniture de base pour la couture
|
||||
- About 1.25 - 1.5 metres (1.4 - 1.7 yards) of a suitable fabric ([see Brian Fabric options](/docs/patterns/brian/fabric/))
|
||||
- Fourniture de base pour la couture
|
||||
- About 1.25 - 1.5 metres (1.4 - 1.7 yards) of a suitable fabric ([see Brian Fabric options](/docs/patterns/brian/fabric/))
|
||||
|
||||
This list is for a default Brian Block. If you have/are making changes to the block you may need to get additional items such as closures, binding etc.
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,7 @@
|
|||
To make Brian, you will need the following:
|
||||
|
||||
- Basis naaimateriaal
|
||||
- About 1.25 - 1.5 metres (1.4 - 1.7 yards) of a suitable fabric ([see Brian Fabric options](/docs/patterns/brian/fabric/))
|
||||
- Basis naaimateriaal
|
||||
- About 1.25 - 1.5 metres (1.4 - 1.7 yards) of a suitable fabric ([see Brian Fabric options](/docs/patterns/brian/fabric/))
|
||||
|
||||
This list is for a default Brian Block. If you have/are making changes to the block you may need to get additional items such as closures, binding etc.
|
||||
|
||||
|
|
|
|||
|
|
@ -1,6 +1,5 @@
|
|||
- - -
|
||||
- - -
|
||||
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
<PatternDocs pattern='brian' />
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Beeinflusst das Verhältnis zwischen Rücken- und Schulterweite measurement
|
||||
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Controls your across back width as a factor of your shoulder to shoulder measurement
|
||||
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Controla el ancho de espalda como un factor de la medida de hombro a hombro
|
||||
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Contrôle la largeur de votre dos en jouant sur la mesure d'une épaule à l'autre
|
||||
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Geeft controle over de breedte van je rug als een factor van je schouder tot schouder maat
|
||||
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Diese Option steuert die Tiefe des Armlochs.
|
||||
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
This option controls the depth of the armhole.
|
||||
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Esta opción controla la profundidad del agujero de armadura.
|
||||
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Cette option contrôle la profondeur de l'emmanchure.
|
||||
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Deze optie bepaalt de diepte van het armsgat.
|
||||
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Kontrolliert wie tief die Nackenöffnung im Rücken des Kleidungsstücks ausgeschnitten wird. Mit anderen Worten, wenn man dies erhöht, wird sich der Hals nach hinten verschieben.
|
||||
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,9 +1,8 @@
|
|||
|
||||
|
||||
|
||||
Controls how deep the neck opening is cut out in the back of the garment.
|
||||
In other words, increasing this will shift the neck opening to the back.
|
||||
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Controla la profundidad de la abertura del cuello en la parte posterior de la prenda. En otras palabras, aumentar esto desplazará la apertura del cuello hacia la espalda.
|
||||
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Contrôle la profondeur de l'encolure au dos du vêtement. En d'autres termes, plus cette valeur augmente, plus l'ouverture de l'encolure sera profonde vers le dos.
|
||||
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Bepaalt hoe diep de halsopening wordt uitgeknipt in de achterkant van het kledingstuk. Met andere woorden, door dit te verhogen wordt de halsopening naar de rug geschoven.
|
||||
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Die Menge an Leichtigkeit an Ihrem Oberarm.
|
||||
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
The amount of ease at your upper arm.
|
||||
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
La cantidad de facilidad en su brazo superior.
|
||||
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
L'aisance en haut du bras.
|
||||
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
De hoeveelheid overwijdte aan je bovenarm.
|
||||
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Diese Option steuert die Leichtigkeit an deiner Truhe.
|
||||
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
This option controls the ease at your chest.
|
||||
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Esta opción controla la holgura en el pecho.
|
||||
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Cette option contrôle l'aisance au niveau de la poitrine.
|
||||
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Deze optie bepaalt hoeveel overwijdte je hebt aan je borst.
|
||||
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Steuert die Menge der Leichtigkeit am Hals/Hals.
|
||||
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Controls the amount of ease at your collar/neck.
|
||||
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Controla la cantidad de facilidad en su cuello o cuello.
|
||||
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Contrôle l'aisance au niveau du col.
|
||||
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Bepaalt de hoeveelheid overwijdte aan je kraag/nek.
|
||||
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Diese Option steuert die Leichtigkeit am Handgelenk.
|
||||
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
This option controls the ease at your wrist.
|
||||
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Esta opción controla la facilidad de su muñeca.
|
||||
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Cette option contrôle l'aisance au niveau des poignets.
|
||||
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -2,6 +2,6 @@
|
|||
|
||||
Deze optie bepaalt de hoeveelheid overwijdte aan je pols.
|
||||
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,6 @@
|
|||
- - -
|
||||
- - -
|
||||
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
<PatternOptions pattern='brian' />
|
||||
|
||||
|
|
@ -21,13 +20,13 @@ The image above shows a sleevecap, starting at point 1, then going up until poin
|
|||
|
||||
###### Finden Sie heraus, welches die Vorderseite der Ärmel(cap)
|
||||
|
||||
ist. In unserem Beispiel befindet sich die Vorderseite der Ärmel auf der rechten Seite. Aber wie würden Sie es wissen?
|
||||
ist. In unserem Beispiel befindet sich die Vorderseite der Ärmel auf der rechten Seite. Aber wie würden Sie es wissen?
|
||||
|
||||
Während Muster typischerweise eine Anzeige haben, die zeigt, welche Seite welche ist (eine einzige Note
|
||||
bedeutet die Front, während ein Doppelbett den Rücken bedeutet), können Sie auch
|
||||
die Vorderseite einer Ärmel erkennen, da sie kurviger ist. Die Rückseite der
|
||||
Ärmelkarte wird ebenfalls gebogen, aber es ist eine flachere Kurve. Das liegt daran, dass die menschliche Schulter
|
||||
ausgeprägter und gebogener ist auf der Vorderseite des Körpers So ist die Ärmelschale
|
||||
ausgeprägter und gebogener ist auf der Vorderseite des Körpers So ist die Ärmelschale
|
||||
dort gebogen, um die Schulter zu passen.
|
||||
|
||||
</Note>
|
||||
|
|
@ -38,8 +37,8 @@ The width of the sleevecap (and thus the width of the sleeve at the bottom of th
|
|||
|
||||
Die Höhe der Ärmel entspricht der Entfernung zwischen den Punkten 3 und 4. The exact height is a trade-off between the measurments of the model, options, ease, sleevecap ease, and the fact that the sleeve ultimately has to fit the armhole. So the height may vary, and we don't control the exact value. Aber es gibt zwei Optionen, die die Form unserer Ärmel kontrollieren:
|
||||
|
||||
- [Sleevecap Top X](/docs/patterns/brian/options/sleevecaptopfactorx/) : Steuert die horizontale Platzierung von Punkt 3 und 4
|
||||
- [Sleevecap oben Y](/docs/patterns/brian/options/sleevecaptopfactory/) : Steuert die vertikale Platzierung von Punkt 4
|
||||
- [Sleevecap Top X](/docs/patterns/brian/options/sleevecaptopfactorx/) : Steuert die horizontale Platzierung von Punkt 3 und 4
|
||||
- [Sleevecap oben Y](/docs/patterns/brian/options/sleevecaptopfactory/) : Steuert die vertikale Platzierung von Punkt 4
|
||||
|
||||
In other words, point 4 can be made higher and lower and, perhaps less intutitively, it can also be changed to lie more to the right or the left, rather than smack in the middle as in our example.
|
||||
|
||||
|
|
@ -49,10 +48,10 @@ In other words, point 4 can be made higher and lower and, perhaps less intutitiv
|
|||
|
||||
Mit den Punkten 1, 2, 3 und 4 haben wir ein Kästchen zum Einzeichnen unserer Ärmel. Now it's time to map out our *inflection points*. These are points 5 and 6 on our drawing, and their placement is determined by the following 4 options:
|
||||
|
||||
- [Sleevecap zurück X](/docs/patterns/brian/options/sleevecapbackfactorx) : Steuert die horizontale Platzierung von Punkt 5
|
||||
- [Sleevecap zurück Y](/docs/patterns/brian/options/sleevecapbackfactory) : Steuert die vertikale Platzierung von Punkt 5
|
||||
- [Sleevecap Front X](/docs/patterns/brian/options/sleevecapbackfactorx) : Steuert die horizontale Platzierung von Punkt 6
|
||||
- [Sleevecap Front Y](/docs/patterns/brian/options/sleevecapbackfactory) : Steuert die vertikale Platzierung von Punkt 6
|
||||
- [Sleevecap zurück X](/docs/patterns/brian/options/sleevecapbackfactorx) : Steuert die horizontale Platzierung von Punkt 5
|
||||
- [Sleevecap zurück Y](/docs/patterns/brian/options/sleevecapbackfactory) : Steuert die vertikale Platzierung von Punkt 5
|
||||
- [Sleevecap Front X](/docs/patterns/brian/options/sleevecapbackfactorx) : Steuert die horizontale Platzierung von Punkt 6
|
||||
- [Sleevecap Front Y](/docs/patterns/brian/options/sleevecapbackfactory) : Steuert die vertikale Platzierung von Punkt 6
|
||||
|
||||
<Note>
|
||||
|
||||
|
|
@ -69,17 +68,17 @@ Letztlich wird unsere Ärmel die Kombination aus 5 Kurven sein. In addition to p
|
|||
|
||||
The points are *offset* perpendicular from the middle of a line between the two anchor points surrounding them. Der Offset für jeden Punkt wird durch diese 4 Optionen kontrolliert:
|
||||
|
||||
- [Sleevecap Q1 Offset](/docs/patterns/brian/options/sleevecapq1offset) : Steuert den senkrechten Offset zur Linie von Punkt 2 bis 6
|
||||
- [Sleevecap Q2 Offset](/docs/patterns/brian/options/sleevecapq2offset) : Steuert den senkrechten Offset auf die Linie von Punkt 6 bis 4
|
||||
- [Sleevecap Q3 Offset](/docs/patterns/brian/options/sleevecapq3offset) : Steuert den senkrechten Offset auf die Linie von Punkt 4 bis 5
|
||||
- [Sleevecap Q4 Offset](/docs/patterns/brian/options/sleevecapq3offset) : Steuert den senkrechten Offset auf die Linie von Punkt 5 bis 1
|
||||
- [Sleevecap Q1 Offset](/docs/patterns/brian/options/sleevecapq1offset) : Steuert den senkrechten Offset zur Linie von Punkt 2 bis 6
|
||||
- [Sleevecap Q2 Offset](/docs/patterns/brian/options/sleevecapq2offset) : Steuert den senkrechten Offset auf die Linie von Punkt 6 bis 4
|
||||
- [Sleevecap Q3 Offset](/docs/patterns/brian/options/sleevecapq3offset) : Steuert den senkrechten Offset auf die Linie von Punkt 4 bis 5
|
||||
- [Sleevecap Q4 Offset](/docs/patterns/brian/options/sleevecapq3offset) : Steuert den senkrechten Offset auf die Linie von Punkt 5 bis 1
|
||||
|
||||
<Note>
|
||||
|
||||
Wir haben unsere Ärmel in 4 Quartale aufgeteilt. Wir beginnen vorne (das rechte Beispiel in unserem Beispiel)
|
||||
mit Viertel 1, und fahren Sie mit Quartal 4 bis zur Rückseite.
|
||||
|
||||
Like the offset option, the last options to determine the shape of our sleevecap will just repeat so you can
|
||||
Like the offset option, the last options to determine the shape of our sleevecap will just repeat so you can
|
||||
control each quarter individually.
|
||||
|
||||
</Note>
|
||||
|
|
@ -92,14 +91,14 @@ Wir haben jetzt alle Anfangs- und Endpunkte, um die 5 Kurven zu zeichnen, die un
|
|||
|
||||
For each of the anchor points (the ones marked in orange, not points 1 and 2) there is an option to control the spread upwards, and downwards:
|
||||
|
||||
- [Sleevecap Q1 nach unten ausgebreitet](/docs/patterns/brian/options/sleevecapq1spread1) : Steuert die Abwärtsverteilung im ersten Quartal
|
||||
- [Sleevecap Q1 upward spread](/docs/patterns/brian/options/sleevecapq1spread2) : Controls the upward spread in the first quarter
|
||||
- [Sleevecap Q2 nach unten verteilt](/docs/patterns/brian/options/sleevecapq2spread1) : Steuert die Abwärtsverteilung im zweiten Quartal
|
||||
- [Sleevecap Q2 upward spread](/docs/patterns/brian/options/sleevecapq2spread2) : Controls the upward spread in the second quarter
|
||||
- [Sleevecap Q3 upward spread](/docs/patterns/brian/options/sleevecapq3spread1) : Controls the upward spread in the third quarter
|
||||
- [Sleevecap Q3 nach unten verteilt](/docs/patterns/brian/options/sleevecapq3spread2) : Steuert die Abwärtsverteilung im dritten Quartal
|
||||
- [Sleevecap Q4 upward spread](/docs/patterns/brian/options/sleevecapq4spread1) : Controls the upward spread in the fourth quarter
|
||||
- [Sleevecap Q4 downward spread](/docs/patterns/brian/options/sleevecapq4spread2) : Controls the downward spread in the fourth quarter
|
||||
- [Sleevecap Q1 nach unten ausgebreitet](/docs/patterns/brian/options/sleevecapq1spread1) : Steuert die Abwärtsverteilung im ersten Quartal
|
||||
- [Sleevecap Q1 upward spread](/docs/patterns/brian/options/sleevecapq1spread2) : Controls the upward spread in the first quarter
|
||||
- [Sleevecap Q2 nach unten verteilt](/docs/patterns/brian/options/sleevecapq2spread1) : Steuert die Abwärtsverteilung im zweiten Quartal
|
||||
- [Sleevecap Q2 upward spread](/docs/patterns/brian/options/sleevecapq2spread2) : Controls the upward spread in the second quarter
|
||||
- [Sleevecap Q3 upward spread](/docs/patterns/brian/options/sleevecapq3spread1) : Controls the upward spread in the third quarter
|
||||
- [Sleevecap Q3 nach unten verteilt](/docs/patterns/brian/options/sleevecapq3spread2) : Steuert die Abwärtsverteilung im dritten Quartal
|
||||
- [Sleevecap Q4 upward spread](/docs/patterns/brian/options/sleevecapq4spread1) : Controls the upward spread in the fourth quarter
|
||||
- [Sleevecap Q4 downward spread](/docs/patterns/brian/options/sleevecapq4spread2) : Controls the downward spread in the fourth quarter
|
||||
|
||||
<Note>
|
||||
|
||||
|
|
@ -114,10 +113,9 @@ die Kurve wird übersteigen.
|
|||
|
||||
While the sleevecap in Brian (and all patterns that extend Brian) have a lot of options, understanding how the sleevecap is constructed can help you design the exact sleevecap shape you want. Zu tun:
|
||||
|
||||
- Beginnen Sie mit der Platzierung der Oberseite Ihrer Sleevecap
|
||||
- Dann bestimmen Sie die Wendepunkte
|
||||
- Benutzen Sie als nächstes den Offset um die Steilheit der Kurve zu steuern
|
||||
- Schließlich, nutzen Sie den Spread, um die Dinge zu glätten
|
||||
- Beginnen Sie mit der Platzierung der Oberseite Ihrer Sleevecap
|
||||
- Dann bestimmen Sie die Wendepunkte
|
||||
- Benutzen Sie als nächstes den Offset um die Steilheit der Kurve zu steuern
|
||||
- Schließlich, nutzen Sie den Spread, um die Dinge zu glätten
|
||||
|
||||
Wichtig ist, dass Sie immer nur die Form der Ärmel kontrollieren. Whatever shape you design, it will be fitted to the armhole, meaning that its size can and will be adapted to make sure the sleeve fits the armscye. Die Form, die Sie entwerfen, wird jedoch stets respektiert.
|
||||
|
||||
|
|
|
|||
|
|
@ -1,15 +1,13 @@
|
|||
---
|
||||
---
|
||||
|
||||
|
||||
|
||||
<PatternOptions pattern='brian' />
|
||||
|
||||
## Understanding the sleevecap
|
||||
|
||||
In version 2 of FreeSewing, the sleevecap of Brian was redesigned to be more adaptable to
|
||||
different types of sleeves and garments. As a result, the sleevecap alone now has 20 options
|
||||
to control its shape. Whereas that may seem a bit overwhelming at first, understanding how the
|
||||
different types of sleeves and garments. As a result, the sleevecap alone now has 20 options
|
||||
to control its shape. Whereas that may seem a bit overwhelming at first, understanding how the
|
||||
sleevecap is drafted makes it easy to understand what all the individual options do.
|
||||
|
||||
### The bounding box
|
||||
|
|
@ -20,19 +18,19 @@ as high as the sleevecap. Inside this box, we will construct our sleevecap later
|
|||
|
||||
|
||||
The image above shows a sleevecap, starting at point 1, then going up until point 4,
|
||||
and then down again to point 2.
|
||||
and then down again to point 2.
|
||||
|
||||
<Note>
|
||||
|
||||
###### Finding out which is the front of the sleeve(cap)
|
||||
|
||||
In our example, the front of the sleevecap is on the right hand side. But how would you know?
|
||||
In our example, the front of the sleevecap is on the right hand side. But how would you know?
|
||||
|
||||
While patterns typically have an indication that shows which side is which (a single notch
|
||||
means the front, whereas a double notch means the back), you can also
|
||||
recognize the front side of a sleevecap because it is more curved. The backside of the
|
||||
sleevecap will also be curved, but it's a flatter curve. That's because the human shoulder
|
||||
is more pronounced and curved on the front of the body, thus the sleevecap is more curved
|
||||
is more pronounced and curved on the front of the body, thus the sleevecap is more curved
|
||||
there to fit the shoulder.
|
||||
|
||||
</Note>
|
||||
|
|
@ -46,12 +44,12 @@ other factors, we can not influence it by any of the sleevecap options.
|
|||
|
||||
|
||||
The height of the sleevecap is equal to the distance between points 3 and 4. The exact height
|
||||
is a trade-off between the measurments of the model, options, ease, sleevecap ease, and the fact
|
||||
is a trade-off between the measurments of the model, options, ease, sleevecap ease, and the fact
|
||||
that the sleeve ultimately has to fit the armhole. So the height may vary, and we don't control
|
||||
the exact value. But there are two options that control the shape of our sleevecap:
|
||||
|
||||
- [Sleevecap top X](/docs/patterns/brian/options/sleevecaptopfactorx/) : Controls the horizontal placement of point 3 and 4
|
||||
- [Sleevecap top Y](/docs/patterns/brian/options/sleevecaptopfactory/) : Controls the vertical placement of point 4
|
||||
- [Sleevecap top X](/docs/patterns/brian/options/sleevecaptopfactorx/) : Controls the horizontal placement of point 3 and 4
|
||||
- [Sleevecap top Y](/docs/patterns/brian/options/sleevecaptopfactory/) : Controls the vertical placement of point 4
|
||||
|
||||
In other words, point 4 can be made higher and lower and, perhaps less intutitively, it can also
|
||||
be changed to lie more to the right or the left, rather than smack in the middle as in our example.
|
||||
|
|
@ -60,14 +58,14 @@ be changed to lie more to the right or the left, rather than smack in the middle
|
|||
|
||||
|
||||
|
||||
With points 1, 2, 3, and 4 in place, we have a box to draw our sleevecap in. Now it's time to
|
||||
map out our *inflection points*. These are points 5 and 6 on our drawing, and their placement
|
||||
With points 1, 2, 3, and 4 in place, we have a box to draw our sleevecap in. Now it's time to
|
||||
map out our *inflection points*. These are points 5 and 6 on our drawing, and their placement
|
||||
is determined by the following 4 options:
|
||||
|
||||
- [Sleevecap back X](/docs/patterns/brian/options/sleevecapbackfactorx) : Controls the horizontal placement of point 5
|
||||
- [Sleevecap back Y](/docs/patterns/brian/options/sleevecapbackfactory) : Controls the vertical placement of point 5
|
||||
- [Sleevecap front X](/docs/patterns/brian/options/sleevecapbackfactorx) : Controls the horizontal placement of point 6
|
||||
- [Sleevecap front Y](/docs/patterns/brian/options/sleevecapbackfactory) : Controls the vertical placement of point 6
|
||||
- [Sleevecap back X](/docs/patterns/brian/options/sleevecapbackfactorx) : Controls the horizontal placement of point 5
|
||||
- [Sleevecap back Y](/docs/patterns/brian/options/sleevecapbackfactory) : Controls the vertical placement of point 5
|
||||
- [Sleevecap front X](/docs/patterns/brian/options/sleevecapbackfactorx) : Controls the horizontal placement of point 6
|
||||
- [Sleevecap front Y](/docs/patterns/brian/options/sleevecapbackfactory) : Controls the vertical placement of point 6
|
||||
|
||||
<Note>
|
||||
|
||||
|
|
@ -84,20 +82,20 @@ Ultimately, our sleevecap will be the combination of 5 curves. In addition to po
|
|||
the four *anchor points* that are marked in orange in our example will be the start/finish of
|
||||
those curves.
|
||||
|
||||
The points are *offset* perpendicular from the middle of a line between the two anchor points
|
||||
The points are *offset* perpendicular from the middle of a line between the two anchor points
|
||||
surrounding them. The offset for each point is controlled by these 4 options:
|
||||
|
||||
- [Sleevecap Q1 offset](/docs/patterns/brian/options/sleevecapq1offset) : Controls the offset perpendicular to the line from points 2 to 6
|
||||
- [Sleevecap Q2 offset](/docs/patterns/brian/options/sleevecapq2offset) : Controls the offset perpendicular to the line from points 6 to 4
|
||||
- [Sleevecap Q3 offset](/docs/patterns/brian/options/sleevecapq3offset) : Controls the offset perpendicular to the line from points 4 to 5
|
||||
- [Sleevecap Q4 offset](/docs/patterns/brian/options/sleevecapq3offset) : Controls the offset perpendicular to the line from points 5 to 1
|
||||
- [Sleevecap Q1 offset](/docs/patterns/brian/options/sleevecapq1offset) : Controls the offset perpendicular to the line from points 2 to 6
|
||||
- [Sleevecap Q2 offset](/docs/patterns/brian/options/sleevecapq2offset) : Controls the offset perpendicular to the line from points 6 to 4
|
||||
- [Sleevecap Q3 offset](/docs/patterns/brian/options/sleevecapq3offset) : Controls the offset perpendicular to the line from points 4 to 5
|
||||
- [Sleevecap Q4 offset](/docs/patterns/brian/options/sleevecapq3offset) : Controls the offset perpendicular to the line from points 5 to 1
|
||||
|
||||
<Note>
|
||||
|
||||
We've divided our sleevecap into 4 quarters. We start at the front (the right in our example)
|
||||
with quarter 1, and make our way to the back to end with quarter 4.
|
||||
|
||||
Like the offset option, the last options to determine the shape of our sleevecap will just repeat so you can
|
||||
Like the offset option, the last options to determine the shape of our sleevecap will just repeat so you can
|
||||
control each quarter individually.
|
||||
|
||||
</Note>
|
||||
|
|
@ -108,20 +106,20 @@ control each quarter individually.
|
|||
|
||||
We now have all the start and end points to draw the 5 curves that will make up our sleevecaps.
|
||||
What we're missing are the control points
|
||||
(see [our info on Bézier curves](https://freesewing.dev/concepts/beziercurves) to learn more
|
||||
(see [our info on Bézier curves](https://freesewing.dev/concepts/beziercurves) to learn more
|
||||
about how curves are constructed). These are determined by the so-called *spread*.
|
||||
|
||||
For each of the anchor points (the ones marked in orange, not points 1 and 2) there is an option
|
||||
to control the spread upwards, and downwards:
|
||||
|
||||
- [Sleevecap Q1 downward spread](/docs/patterns/brian/options/sleevecapq1spread1) : Controls the downward spread in the first quarter
|
||||
- [Sleevecap Q1 upward spread](/docs/patterns/brian/options/sleevecapq1spread2) : Controls the upward spread in the first quarter
|
||||
- [Sleevecap Q2 downward spread](/docs/patterns/brian/options/sleevecapq2spread1) : Controls the downward spread in the second quarter
|
||||
- [Sleevecap Q2 upward spread](/docs/patterns/brian/options/sleevecapq2spread2) : Controls the upward spread in the second quarter
|
||||
- [Sleevecap Q3 upward spread](/docs/patterns/brian/options/sleevecapq3spread1) : Controls the upward spread in the third quarter
|
||||
- [Sleevecap Q3 downward spread](/docs/patterns/brian/options/sleevecapq3spread2) : Controls the downward spread in the third quarter
|
||||
- [Sleevecap Q4 upward spread](/docs/patterns/brian/options/sleevecapq4spread1) : Controls the upward spread in the fourth quarter
|
||||
- [Sleevecap Q4 downward spread](/docs/patterns/brian/options/sleevecapq4spread2) : Controls the downward spread in the fourth quarter
|
||||
- [Sleevecap Q1 downward spread](/docs/patterns/brian/options/sleevecapq1spread1) : Controls the downward spread in the first quarter
|
||||
- [Sleevecap Q1 upward spread](/docs/patterns/brian/options/sleevecapq1spread2) : Controls the upward spread in the first quarter
|
||||
- [Sleevecap Q2 downward spread](/docs/patterns/brian/options/sleevecapq2spread1) : Controls the downward spread in the second quarter
|
||||
- [Sleevecap Q2 upward spread](/docs/patterns/brian/options/sleevecapq2spread2) : Controls the upward spread in the second quarter
|
||||
- [Sleevecap Q3 upward spread](/docs/patterns/brian/options/sleevecapq3spread1) : Controls the upward spread in the third quarter
|
||||
- [Sleevecap Q3 downward spread](/docs/patterns/brian/options/sleevecapq3spread2) : Controls the downward spread in the third quarter
|
||||
- [Sleevecap Q4 upward spread](/docs/patterns/brian/options/sleevecapq4spread1) : Controls the upward spread in the fourth quarter
|
||||
- [Sleevecap Q4 downward spread](/docs/patterns/brian/options/sleevecapq4spread2) : Controls the downward spread in the fourth quarter
|
||||
|
||||
<Note>
|
||||
|
||||
|
|
@ -134,15 +132,14 @@ the curve will rise above it.
|
|||
|
||||
### Takeaways
|
||||
|
||||
While the sleevecap in Brian (and all patterns that extend Brian) have a lot of options, understanding how the
|
||||
While the sleevecap in Brian (and all patterns that extend Brian) have a lot of options, understanding how the
|
||||
sleevecap is constructed can help you design the exact sleevecap shape you want. To do so:
|
||||
|
||||
- Start with placing the top of your sleevecap
|
||||
- Then determine the inflection points
|
||||
- Next, use the offset to control the steepness of the curve
|
||||
- Finally, use the spread to smooth things out
|
||||
- Start with placing the top of your sleevecap
|
||||
- Then determine the inflection points
|
||||
- Next, use the offset to control the steepness of the curve
|
||||
- Finally, use the spread to smooth things out
|
||||
|
||||
What's important to remember is that you're only ever controlling the shape of the sleevecap.
|
||||
Whatever shape you design, it will be fitted to the armhole, meaning that its size can and will be adapted
|
||||
to make sure the sleeve fits the armscye. However, the shape you design will always be respected.
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,6 @@
|
|||
- - -
|
||||
- - -
|
||||
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
<PatternOptions pattern='brian' />
|
||||
|
||||
|
|
@ -21,13 +20,13 @@ The image above shows a sleevecap, starting at point 1, then going up until poin
|
|||
|
||||
###### Encontrar cuál es la parte frontal de la manga(capa)
|
||||
|
||||
En nuestro ejemplo, el frente de la manga está en el lado derecho. Pero, ¿cómo sabría usted?
|
||||
En nuestro ejemplo, el frente de la manga está en el lado derecho. Pero, ¿cómo sabría usted?
|
||||
|
||||
Mientras que los patrones normalmente tienen una indicación que muestra qué lado es qué (una sola nota
|
||||
significa el frente, mientras que una batida doble significa la parte trasera), también puedes
|
||||
reconocer la parte frontal de una manga porque está más curvada. La parte trasera del manga
|
||||
también se curvará, pero es una curva más plana. Eso es porque el hombro humano
|
||||
es más pronunciado y curvado en el frente del cuerpo, por lo tanto la manga es más curvada
|
||||
es más pronunciado y curvado en el frente del cuerpo, por lo tanto la manga es más curvada
|
||||
allí para que encaje en el hombro.
|
||||
|
||||
</Note>
|
||||
|
|
@ -38,8 +37,8 @@ The width of the sleevecap (and thus the width of the sleeve at the bottom of th
|
|||
|
||||
La altura de la manga es igual a la distancia entre los puntos 3 y 4. The exact height is a trade-off between the measurments of the model, options, ease, sleevecap ease, and the fact that the sleeve ultimately has to fit the armhole. So the height may vary, and we don't control the exact value. Pero hay dos opciones que controlan la forma de nuestra manguera:
|
||||
|
||||
- [Sleevecap top X](/docs/patterns/brian/options/sleevecaptopfactorx/) : Controla la colocación horizontal del punto 3 y 4
|
||||
- [Sleevecap superior Y](/docs/patterns/brian/options/sleevecaptopfactory/) : Controla la posición vertical del punto 4
|
||||
- [Sleevecap top X](/docs/patterns/brian/options/sleevecaptopfactorx/) : Controla la colocación horizontal del punto 3 y 4
|
||||
- [Sleevecap superior Y](/docs/patterns/brian/options/sleevecaptopfactory/) : Controla la posición vertical del punto 4
|
||||
|
||||
In other words, point 4 can be made higher and lower and, perhaps less intutitively, it can also be changed to lie more to the right or the left, rather than smack in the middle as in our example.
|
||||
|
||||
|
|
@ -49,10 +48,10 @@ In other words, point 4 can be made higher and lower and, perhaps less intutitiv
|
|||
|
||||
Con los puntos 1, 2, 3 y 4 en su lugar, tenemos una caja para dibujar la manga dentro. Now it's time to map out our *inflection points*. These are points 5 and 6 on our drawing, and their placement is determined by the following 4 options:
|
||||
|
||||
- [Mantén dormido X](/docs/patterns/brian/options/sleevecapbackfactorx) : Controla la colocación horizontal del punto 5
|
||||
- [Retroceso Y](/docs/patterns/brian/options/sleevecapbackfactory) : Controla la posición vertical del punto 5
|
||||
- [Dulce frontal X](/docs/patterns/brian/options/sleevecapbackfactorx) : Controla la colocación horizontal del punto 6
|
||||
- [Sueño frontal Y](/docs/patterns/brian/options/sleevecapbackfactory) : Controla la posición vertical del punto 6
|
||||
- [Mantén dormido X](/docs/patterns/brian/options/sleevecapbackfactorx) : Controla la colocación horizontal del punto 5
|
||||
- [Retroceso Y](/docs/patterns/brian/options/sleevecapbackfactory) : Controla la posición vertical del punto 5
|
||||
- [Dulce frontal X](/docs/patterns/brian/options/sleevecapbackfactorx) : Controla la colocación horizontal del punto 6
|
||||
- [Sueño frontal Y](/docs/patterns/brian/options/sleevecapbackfactory) : Controla la posición vertical del punto 6
|
||||
|
||||
<Note>
|
||||
|
||||
|
|
@ -69,17 +68,17 @@ En última instancia, nuestra manga será la combinación de 5 curvas. In additi
|
|||
|
||||
The points are *offset* perpendicular from the middle of a line between the two anchor points surrounding them. El desplazamiento para cada punto está controlado por estas 4 opciones:
|
||||
|
||||
- [Desplazamiento Q1 de Sleevecap](/docs/patterns/brian/options/sleevecapq1offset) : Controla el perpendicular de desplazamiento a la línea desde puntos 2 a 6
|
||||
- [Desplazamiento Q2 en durmiente](/docs/patterns/brian/options/sleevecapq2offset) : Controla el perpendicular a la línea desde puntos 6 a 4
|
||||
- [Desplazamiento Q3 en durmiente](/docs/patterns/brian/options/sleevecapq3offset) : Controla el perpendicular a la línea desde puntos 4 a 5
|
||||
- [Desplazamiento Q4 en durmiente](/docs/patterns/brian/options/sleevecapq3offset) : Controla el perpendicular a la línea desde los puntos 5 a 1
|
||||
- [Desplazamiento Q1 de Sleevecap](/docs/patterns/brian/options/sleevecapq1offset) : Controla el perpendicular de desplazamiento a la línea desde puntos 2 a 6
|
||||
- [Desplazamiento Q2 en durmiente](/docs/patterns/brian/options/sleevecapq2offset) : Controla el perpendicular a la línea desde puntos 6 a 4
|
||||
- [Desplazamiento Q3 en durmiente](/docs/patterns/brian/options/sleevecapq3offset) : Controla el perpendicular a la línea desde puntos 4 a 5
|
||||
- [Desplazamiento Q4 en durmiente](/docs/patterns/brian/options/sleevecapq3offset) : Controla el perpendicular a la línea desde los puntos 5 a 1
|
||||
|
||||
<Note>
|
||||
|
||||
Hemos dividido nuestra manga en 4 cuarteles. Empezamos en el frente (la derecha en nuestro ejemplo)
|
||||
con el trimestre 1, y hacer nuestro camino hacia atrás hasta el final con el cuarto trimestre.
|
||||
|
||||
Al igual que la opción de desplazamiento, las últimas opciones para determinar la forma de nuestra manga solo se repetirán para poder
|
||||
Al igual que la opción de desplazamiento, las últimas opciones para determinar la forma de nuestra manga solo se repetirán para poder
|
||||
controlar cada cuarto individualmente.
|
||||
|
||||
</Note>
|
||||
|
|
@ -92,14 +91,14 @@ Ahora tenemos todos los puntos de inicio y final para dibujar las 5 curvas que c
|
|||
|
||||
For each of the anchor points (the ones marked in orange, not points 1 and 2) there is an option to control the spread upwards, and downwards:
|
||||
|
||||
- [Sleevecap Q1 dispersión a la baja](/docs/patterns/brian/options/sleevecapq1spread1) : Controla la dispersión a la baja en el primer trimestre
|
||||
- [Sleevecap Q1 upward spread](/docs/patterns/brian/options/sleevecapq1spread2) : Controla la dispersión ascendente en el primer trimestre
|
||||
- [Sleevecap Q2 a dispersión a la baja](/docs/patterns/brian/options/sleevecapq2spread1) : Controla la dispersión a la baja en el segundo trimestre
|
||||
- [Sleevecap Q2 upward spread](/docs/patterns/brian/options/sleevecapq2spread2) : Controla la dispersión ascendente en el segundo trimestre
|
||||
- [Sleevecap Q3 upward spread](/docs/patterns/brian/options/sleevecapq3spread1) : Controla la dispersión ascendente en el tercer trimestre
|
||||
- [Sleevecap Q3 con dispersión a la baja](/docs/patterns/brian/options/sleevecapq3spread2) : Controla la dispersión a la baja en el tercer trimestre
|
||||
- [Sleevecap Q4 al alza](/docs/patterns/brian/options/sleevecapq4spread1) : Controla la dispersión ascendente en el cuarto trimestre
|
||||
- [Sleevecap Q4 a dispersión a la baja](/docs/patterns/brian/options/sleevecapq4spread2) : Controla la dispersión a la baja en el cuarto trimestre
|
||||
- [Sleevecap Q1 dispersión a la baja](/docs/patterns/brian/options/sleevecapq1spread1) : Controla la dispersión a la baja en el primer trimestre
|
||||
- [Sleevecap Q1 upward spread](/docs/patterns/brian/options/sleevecapq1spread2) : Controla la dispersión ascendente en el primer trimestre
|
||||
- [Sleevecap Q2 a dispersión a la baja](/docs/patterns/brian/options/sleevecapq2spread1) : Controla la dispersión a la baja en el segundo trimestre
|
||||
- [Sleevecap Q2 upward spread](/docs/patterns/brian/options/sleevecapq2spread2) : Controla la dispersión ascendente en el segundo trimestre
|
||||
- [Sleevecap Q3 upward spread](/docs/patterns/brian/options/sleevecapq3spread1) : Controla la dispersión ascendente en el tercer trimestre
|
||||
- [Sleevecap Q3 con dispersión a la baja](/docs/patterns/brian/options/sleevecapq3spread2) : Controla la dispersión a la baja en el tercer trimestre
|
||||
- [Sleevecap Q4 al alza](/docs/patterns/brian/options/sleevecapq4spread1) : Controla la dispersión ascendente en el cuarto trimestre
|
||||
- [Sleevecap Q4 a dispersión a la baja](/docs/patterns/brian/options/sleevecapq4spread2) : Controla la dispersión a la baja en el cuarto trimestre
|
||||
|
||||
<Note>
|
||||
|
||||
|
|
@ -114,10 +113,9 @@ la curva se elevará por encima.
|
|||
|
||||
While the sleevecap in Brian (and all patterns that extend Brian) have a lot of options, understanding how the sleevecap is constructed can help you design the exact sleevecap shape you want. Para hacerlo:
|
||||
|
||||
- Empezar con colocar la parte superior de tu manga
|
||||
- Luego determina los puntos de inflexión
|
||||
- A continuación, utilice el desplazamiento para controlar la inclinación de la curva
|
||||
- Por último, utilice la propagación para suavizar las cosas
|
||||
- Empezar con colocar la parte superior de tu manga
|
||||
- Luego determina los puntos de inflexión
|
||||
- A continuación, utilice el desplazamiento para controlar la inclinación de la curva
|
||||
- Por último, utilice la propagación para suavizar las cosas
|
||||
|
||||
Lo que es importante recordar es que usted sólo controla la forma de la manga. Whatever shape you design, it will be fitted to the armhole, meaning that its size can and will be adapted to make sure the sleeve fits the armscye. Sin embargo, la forma que diseñas siempre será respetada.
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,6 @@
|
|||
- - -
|
||||
- - -
|
||||
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
<PatternOptions pattern='brian' />
|
||||
|
||||
|
|
@ -21,7 +20,7 @@ L'image ci-dessus montre une tête de manche, commençant au point 1, puis monta
|
|||
|
||||
###### Repérer le devant de la manche
|
||||
|
||||
Dans notre exemple, le devant de la manche est à droite. Mais comment le sait-on ?
|
||||
Dans notre exemple, le devant de la manche est à droite. Mais comment le sait-on ?
|
||||
|
||||
Alors que les patrons l'indiquent généralement par des repères (une seule encoche pour le devant, une double encoche pour l'arrière), on peut aussi repérer où se trouve le devant d'une tête de manche par sa forme plus courbe. La partie de la tête de manche qui sera placée à l'arrière est de forme plus aplatie. C'est en raison de la forme de l'épaule humaine, qui est plus arrondie sur le devant du corps. La tête de manche sera donc elle aussi plus courbe sur le devant, pour s'adapter à l'épaule.
|
||||
|
||||
|
|
@ -33,8 +32,8 @@ La largeur de la tête de manche (et donc la largeur de la manche à la base de
|
|||
|
||||
La hauteur de la tête de manche est égale à la distance entre les points 3 et 4. La hauteur exacte est un compromis entre les mesures du modèle, les options, l'aisance, l'aisance de la tête de manche, et le fait que la manche devra finalement s'ajuster à l'emmanchure. Cette hauteur peut donc varier, et on ne peut choisir sa valeur exacte. Mais deux options permettent de contrôler la forme de notre tête de manche :
|
||||
|
||||
- [Haut de tête de manche X](/docs/patterns/brian/options/sleevecaptopfactorx/) : Contrôle la position horizontale des points 3 et 4
|
||||
- [Haut de tête de manche Y](/docs/patterns/brian/options/sleevecaptopfactory/) : Contrôle la position verticale du point 4
|
||||
- [Haut de tête de manche X](/docs/patterns/brian/options/sleevecaptopfactorx/) : Contrôle la position horizontale des points 3 et 4
|
||||
- [Haut de tête de manche Y](/docs/patterns/brian/options/sleevecaptopfactory/) : Contrôle la position verticale du point 4
|
||||
|
||||
En d'autres termes, le point 4 peut être placé plus haut ou plus bas, et, ce qui est peut-être moins intuitif, peut aussi être déplacé plus à droite ou plus à gauche, plutôt que rester en plein milieu comme dans notre exemple.
|
||||
|
||||
|
|
@ -44,10 +43,10 @@ En d'autres termes, le point 4 peut être placé plus haut ou plus bas, et, ce q
|
|||
|
||||
Avec les points 1, 2, 3 et 4 en place, nous avons un rectangle pour dessiner notre tête de manche. Maintenant, il est temps de placer nos *points d'inflexion*. Ce sont les points 5 et 6 de notre dessin, et leur position est déterminée par les 4 options suivantes :
|
||||
|
||||
- [Haut de tête de manche arrière X](/docs/patterns/brian/options/sleevecapbackfactorx) : Contrôle la position horizontale du point 5
|
||||
- [Haut de tête de manche arrière Y](/docs/patterns/brian/options/sleevecapbackfactory) : Contrôle la position verticale du point 5
|
||||
- [Haut de tête de manche avant X](/docs/patterns/brian/options/sleevecapbackfactorx) : Contrôle la position horizontale du point 6
|
||||
- [Haut de tête de manche avant Y](/docs/patterns/brian/options/sleevecapbackfactory) : Contrôle la position verticale du point 6
|
||||
- [Haut de tête de manche arrière X](/docs/patterns/brian/options/sleevecapbackfactorx) : Contrôle la position horizontale du point 5
|
||||
- [Haut de tête de manche arrière Y](/docs/patterns/brian/options/sleevecapbackfactory) : Contrôle la position verticale du point 5
|
||||
- [Haut de tête de manche avant X](/docs/patterns/brian/options/sleevecapbackfactorx) : Contrôle la position horizontale du point 6
|
||||
- [Haut de tête de manche avant Y](/docs/patterns/brian/options/sleevecapbackfactory) : Contrôle la position verticale du point 6
|
||||
|
||||
<Note>
|
||||
|
||||
|
|
@ -61,12 +60,12 @@ Comme vous le voyez dans notre exemple, ces points ne se trouvent pas toujours s
|
|||
|
||||
En fin de compte, notre tête de manche sera la combinaison de 5 courbes. En plus des points 1 et 2, les quatre *points d'ancrage* (en orange dans notre exemple) seront placés au début et à la fin de ces courbes.
|
||||
|
||||
Les points sont *décalés * perpendiculairement à partir du milieu d'une ligne située entre les deux points d'ancrage qui les entourent. Le décalage pour chaque point est contrôlé par ces 4 options :
|
||||
Les points sont \*décalés \* perpendiculairement à partir du milieu d'une ligne située entre les deux points d'ancrage qui les entourent. Le décalage pour chaque point est contrôlé par ces 4 options :
|
||||
|
||||
- [Décalage de tête de manche Q1](/docs/patterns/brian/options/sleevecapq1offset) : contrôle le décalage perpendiculaire à la ligne située entre les points 2 et 6
|
||||
- [Décalage de tête de manche Q2](/docs/patterns/brian/options/sleevecapq2offset) : contrôle le décalage perpendiculaire à la ligne située entre les points 6 et 4
|
||||
- [Décalage de tête de manche Q3](/docs/patterns/brian/options/sleevecapq3offset) : contrôle le décalage perpendiculaire à la ligne située entre les points 4 et 5
|
||||
- [Décalage de tête de manche Q4](/docs/patterns/brian/options/sleevecapq3offset) : contrôle le décalage perpendiculaire à la ligne située entre les points 5 et 1
|
||||
- [Décalage de tête de manche Q1](/docs/patterns/brian/options/sleevecapq1offset) : contrôle le décalage perpendiculaire à la ligne située entre les points 2 et 6
|
||||
- [Décalage de tête de manche Q2](/docs/patterns/brian/options/sleevecapq2offset) : contrôle le décalage perpendiculaire à la ligne située entre les points 6 et 4
|
||||
- [Décalage de tête de manche Q3](/docs/patterns/brian/options/sleevecapq3offset) : contrôle le décalage perpendiculaire à la ligne située entre les points 4 et 5
|
||||
- [Décalage de tête de manche Q4](/docs/patterns/brian/options/sleevecapq3offset) : contrôle le décalage perpendiculaire à la ligne située entre les points 5 et 1
|
||||
|
||||
<Note>
|
||||
|
||||
|
|
@ -85,14 +84,14 @@ Nous avons maintenant tous les points de départ et d'arrivée pour dessiner les
|
|||
|
||||
Pour chacun des points d'ancrage (ceux marqués en orange, pas les points 1 et 2), une option permet de contrôler la répartition vers le haut, et vers le bas :
|
||||
|
||||
- [Répartition de tête de manche vers le bas Q1](/docs/patterns/brian/options/sleevecapq1spread1) : contrôle la répartition vers le bas dans le premier quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le haut Q1](/docs/patterns/brian/options/sleevecapq1spread2) : contrôle la répartition vers le haut dans le premier quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le bas Q2](/docs/patterns/brian/options/sleevecapq2spread1) : contrôle la répartition vers le bas dans le deuxième quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le haut Q2](/docs/patterns/brian/options/sleevecapq2spread2) : contrôle la répartition vers le haut dans le deuxième quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le haut Q3](/docs/patterns/brian/options/sleevecapq3spread1) : contrôle la répartition vers le haut dans le troisième quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le bas Q3](/docs/patterns/brian/options/sleevecapq3spread2) : contrôle la répartition vers le bas dans le troisième quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le haut Q4](/docs/patterns/brian/options/sleevecapq4spread1) : contrôle la répartition vers le haut dans le quatrième quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le bas Q4](/docs/patterns/brian/options/sleevecapq4spread2) : contrôle la répartition vers le bas dans le quatrième quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le bas Q1](/docs/patterns/brian/options/sleevecapq1spread1) : contrôle la répartition vers le bas dans le premier quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le haut Q1](/docs/patterns/brian/options/sleevecapq1spread2) : contrôle la répartition vers le haut dans le premier quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le bas Q2](/docs/patterns/brian/options/sleevecapq2spread1) : contrôle la répartition vers le bas dans le deuxième quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le haut Q2](/docs/patterns/brian/options/sleevecapq2spread2) : contrôle la répartition vers le haut dans le deuxième quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le haut Q3](/docs/patterns/brian/options/sleevecapq3spread1) : contrôle la répartition vers le haut dans le troisième quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le bas Q3](/docs/patterns/brian/options/sleevecapq3spread2) : contrôle la répartition vers le bas dans le troisième quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le haut Q4](/docs/patterns/brian/options/sleevecapq4spread1) : contrôle la répartition vers le haut dans le quatrième quadrant<0><0>
|
||||
- [Répartition de tête de manche vers le bas Q4](/docs/patterns/brian/options/sleevecapq4spread2) : contrôle la répartition vers le bas dans le quatrième quadrant<0><0>
|
||||
|
||||
<Note>
|
||||
|
||||
|
|
@ -104,10 +103,9 @@ Les lecteurs attentifs auront remarqué que le point 4 n'est pas un point d'ancr
|
|||
|
||||
Comme la tête de manche de Brian (et de tous les patrons dérivés) a énormément d'options, comprendre la construction de la tête de manche vous aidera à concevoir la tête de manche que vous voulez précisément. Pour cela :
|
||||
|
||||
- Commencez par positionner le haut de votre tête de manche
|
||||
- Déterminer ensuite les points d'inflexion
|
||||
- Ensuite, utilisez le décalage pour contrôler la pente de la courbe
|
||||
- Enfin, utilisez la répartition pour homogénéiser le tout
|
||||
- Commencez par positionner le haut de votre tête de manche
|
||||
- Déterminer ensuite les points d'inflexion
|
||||
- Ensuite, utilisez le décalage pour contrôler la pente de la courbe
|
||||
- Enfin, utilisez la répartition pour homogénéiser le tout
|
||||
|
||||
Il faut comprendre qu'on ne peut contrôler que la forme de la tête de manche. Quelle que soit la forme que vous voulez, elle devra s'ajuster à l'emmanchure, ce qui signifie que sa taille peut et devra s'adapter. Cependant, la forme sera toujours respectée.
|
||||
|
||||
|
|
|
|||
|
|
@ -1,10 +1,9 @@
|
|||
|
||||
|
||||
|
||||
Steuert wie viel die Vorderseite des Armlochs tiefer in das Gewand geschnitten wird als die Rückseite.
|
||||
|
||||
Since the human shoulder is more rounded at the front of the body, the sleeve(cap) is more rounded there too, and the armhole is typically cut deeper into the front of the garment than the back. Diese Option bestimmt, wie viel tiefer ist.
|
||||
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,4 +1,3 @@
|
|||
|
||||
|
||||
|
||||
Controls how much the front of the armhole is cut deeper into the garment than the back.
|
||||
|
|
@ -7,6 +6,6 @@ Since the human shoulder is more rounded at the front of the body, the sleeve(ca
|
|||
rounded there too, and the armhole is typically cut deeper into the front of the garment than
|
||||
the back. This option controls how much deeper.
|
||||
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,10 +1,9 @@
|
|||
|
||||
|
||||
|
||||
Controla cuánto se corta más en la prenda la parte delantera del orificio que la parte trasera.
|
||||
|
||||
Since the human shoulder is more rounded at the front of the body, the sleeve(cap) is more rounded there too, and the armhole is typically cut deeper into the front of the garment than the back. Esta opción controla cuánto más profundo.
|
||||
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,10 +1,9 @@
|
|||
|
||||
|
||||
|
||||
Module de combien la découpe de l'emmanchure est plus profonde sur le devant que sur le dos.
|
||||
|
||||
Comme l'épaule humaine est plus arrondie à l'avant du corps, la tête de manche (haut de la manche) est également plus arrondie sur le devant du vêtement, et la découpe de l'emmanchure est donc généralement plus profonde sur le devant du vêtement que sur le dos. Cette option module de combien la découpe est plus profonde.
|
||||
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,10 +1,9 @@
|
|||
|
||||
|
||||
|
||||
Bepaalt hoeveel het armsgat vooraan dieper in het kledingstuk wordt gesneden, dan de achterkant.
|
||||
|
||||
Aangezien de menselijke schouder meer aan de voorkant van het lichaam is afgerond, is de mouw(cap) ook daar meer afgerond en het armsgat wordt meestal dieper geknipt in de voorkant van het kledingstuk dan de achterkant. Deze optie bepaalt hoeveel dieper.
|
||||
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -4,6 +4,6 @@ Diese Option bestimmt, wie weit sich der Block unterhalb der Hüfte erstreckt.
|
|||
|
||||
> Beachten Sie, dass dieser Block standardmäßig so lange ist, wie Ihre Hüftlinie, die fast sicher zu kurz für das letzte Kleidungsstück ist.
|
||||
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -4,6 +4,6 @@ This option controls how far the block extend below your hips.
|
|||
|
||||
> Note that by default this block is as long as your hip line, which is almost certainly too short for the final garment.
|
||||
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -4,6 +4,6 @@ Esta opción controla hasta qué punto el bloque se extiende por debajo de sus c
|
|||
|
||||
> Tenga en cuenta que por defecto este bloque es tan largo como su línea de cadera, que es casi con toda seguridad demasiado corta para la prenda final.
|
||||
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -4,6 +4,6 @@ Cette option permet de contrôler jusqu'à quel point le bloc se prolonge sous v
|
|||
|
||||
> Notez que par défaut, ce bloc est aussi long que ta ligne de hanche, qui est presque certainement trop courte pour le vêtement final.
|
||||
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -4,6 +4,6 @@ Deze optie bepaalt hoeveel lager dan je heuplijn het basispatroon komt.
|
|||
|
||||
> Dit basispatroon komt standaard tot aan je heuplijn, wat bijna gegarandeerd te kort zal zijn voor het uiteindelijke kledingstuk.
|
||||
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,7 +1,6 @@
|
|||
- - -
|
||||
- - -
|
||||
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
<PatternOptions pattern='brian' />
|
||||
|
||||
|
|
@ -21,13 +20,13 @@ De afbeelding hierboven toont een mouwkop, vanaf punt 1, ga dan naar boven tot p
|
|||
|
||||
###### Het vinden van de voorkant van de mouw(cap)
|
||||
|
||||
In ons voorbeeld staat de voorkant van de mouwkop aan de rechterkant. Maar hoe zou u dat weten?
|
||||
In ons voorbeeld staat de voorkant van de mouwkop aan de rechterkant. Maar hoe zou u dat weten?
|
||||
|
||||
Terwijl patronen meestal een indicatie hebben die aangeeft welke kant is (een enkel merkteken
|
||||
betekent het voorpand, overwegende dat een dubbele inkeping de achterkant betekent, kan je ook
|
||||
de voorkant van een mouwkop herkennen omdat het meer gebogen is. De achterkant van de
|
||||
mouwkop wordt ook gebogen, maar het is een vlakke curve. Dat komt doordat de menselijke schouder
|
||||
sterker uitklapt en aan de voorkant van het lichaam gebogen is Dus is de mouwkop daar meer gebogen
|
||||
sterker uitklapt en aan de voorkant van het lichaam gebogen is Dus is de mouwkop daar meer gebogen
|
||||
om te passen op de schouder.
|
||||
|
||||
</Note>
|
||||
|
|
@ -38,8 +37,8 @@ De breedte van de mouwkop (en dus de breedte van de mouw aan de onderkant van he
|
|||
|
||||
De hoogte van de mouwkop is gelijk aan de afstand tussen de punten 3 en 4. De exacte hoogte is een compromis tussen de maten van het model, de opties, de overwijdte van de mouw en mouwkop, en het feit dat uiteindelijk de mouw in het armsgat moet passen. Dus de hoogte kan verschillen, en we controleren de exacte waarde. Maar er zijn twee opties die de vorm van onze mouwkop bepalen:
|
||||
|
||||
- [Mouwkop top X](/docs/patterns/brian/options/sleevecaptopfactorx/) : Bepaalt de horizontale plaatsing van punt 3 en 4
|
||||
- [Mouwkop top Y](/docs/patterns/brian/options/sleevecaptopfactory/) : Bepaalt de verticale plaatsing van punt 4
|
||||
- [Mouwkop top X](/docs/patterns/brian/options/sleevecaptopfactorx/) : Bepaalt de horizontale plaatsing van punt 3 en 4
|
||||
- [Mouwkop top Y](/docs/patterns/brian/options/sleevecaptopfactory/) : Bepaalt de verticale plaatsing van punt 4
|
||||
|
||||
Met andere woorden, paragraaf 4 kan steeds lager en misschien minder intuïtief worden gemaakt. het kan ook worden veranderd om meer aan rechts of links te liggen, in plaats van in het midden te rukken zoals in ons voorbeeld.
|
||||
|
||||
|
|
@ -49,10 +48,10 @@ Met andere woorden, paragraaf 4 kan steeds lager en misschien minder intuïtief
|
|||
|
||||
Met de punten 1, 2, 3 en 4 hebben we een doos om onze mouwkop in te trekken. Nu is het tijd om onze *inflectie punten* toe te wijzen. Dit zijn de punten 5 en 6 op onze tekening, en hun plaatsing wordt bepaald door de volgende 4 opties:
|
||||
|
||||
- [Mouwkop X](/docs/patterns/brian/options/sleevecapbackfactorx) : Bepaalt de horizontale plaatsing van punt 5
|
||||
- [Mouwkop Y](/docs/patterns/brian/options/sleevecapbackfactory) : Bepaalt de verticale plaatsing van punt 5
|
||||
- [Mouwkop X](/docs/patterns/brian/options/sleevecapbackfactorx) : Bepaalt de horizontale plaatsing van punt 6
|
||||
- [Mouwkop Y](/docs/patterns/brian/options/sleevecapbackfactory) : Bepaalt de verticale plaatsing van punt 6
|
||||
- [Mouwkop X](/docs/patterns/brian/options/sleevecapbackfactorx) : Bepaalt de horizontale plaatsing van punt 5
|
||||
- [Mouwkop Y](/docs/patterns/brian/options/sleevecapbackfactory) : Bepaalt de verticale plaatsing van punt 5
|
||||
- [Mouwkop X](/docs/patterns/brian/options/sleevecapbackfactorx) : Bepaalt de horizontale plaatsing van punt 6
|
||||
- [Mouwkop Y](/docs/patterns/brian/options/sleevecapbackfactory) : Bepaalt de verticale plaatsing van punt 6
|
||||
|
||||
<Note>
|
||||
|
||||
|
|
@ -69,17 +68,17 @@ Uiteindelijk zal onze mouwkop de combinatie van 5 curves zijn. Naast de punten 1
|
|||
|
||||
De punten zijn *offset* looddicular uit het midden van een lijn tussen de twee ankerpunten om hen. De offset voor elk punt wordt bepaald door deze 4 opties:
|
||||
|
||||
- [Mouwkop Q1 offset](/docs/patterns/brian/options/sleevecapq1offset) : Bepaalt de offset loopendicular naar de lijn van punt 2 tot 6
|
||||
- [Mouwkop Q2 offset](/docs/patterns/brian/options/sleevecapq2offset) : Bepaalt de offset perpendicular naar de lijn van punt 6 tot 4
|
||||
- [Mouwkop Q3 offset](/docs/patterns/brian/options/sleevecapq3offset) : Bepaalt de offset perpendicular naar de lijn van punt 4 tot 5
|
||||
- [Mouwkop Q4 offset](/docs/patterns/brian/options/sleevecapq3offset) : Bepaalt de offset perpendicular naar de lijn van punt 5 tot 1
|
||||
- [Mouwkop Q1 offset](/docs/patterns/brian/options/sleevecapq1offset) : Bepaalt de offset loopendicular naar de lijn van punt 2 tot 6
|
||||
- [Mouwkop Q2 offset](/docs/patterns/brian/options/sleevecapq2offset) : Bepaalt de offset perpendicular naar de lijn van punt 6 tot 4
|
||||
- [Mouwkop Q3 offset](/docs/patterns/brian/options/sleevecapq3offset) : Bepaalt de offset perpendicular naar de lijn van punt 4 tot 5
|
||||
- [Mouwkop Q4 offset](/docs/patterns/brian/options/sleevecapq3offset) : Bepaalt de offset perpendicular naar de lijn van punt 5 tot 1
|
||||
|
||||
<Note>
|
||||
|
||||
We hebben onze mouwkop in 4 kwartalen verdeeld. We starten vooraan (rechts in ons voorbeeld)
|
||||
met kwart 1. en doe onze weg naar de rug om te eindigen met kwart 4.
|
||||
|
||||
Net als de offset optie, zullen de laatste opties om de vorm van onze mouwkop te bepalen gewoon herhalen, zodat je
|
||||
Net als de offset optie, zullen de laatste opties om de vorm van onze mouwkop te bepalen gewoon herhalen, zodat je
|
||||
elk kwartaal afzonderlijk kunt controleren.
|
||||
|
||||
</Note>
|
||||
|
|
@ -92,14 +91,14 @@ We hebben nu alle start- en eindpunten om de 5 curves te tekenen die samen onze
|
|||
|
||||
Voor elk van de ankerpunten (de punten gemarkeerd in oranje, geen punt 1 en 2) er is een optie om de spreiding naar boven en naar beneden te besturen:
|
||||
|
||||
- [Mouwkop Q1 neerwaardse spreiding](/docs/patterns/brian/options/sleevecapq1spread1) : Bepaalt de neerwaartse spreiding in het eerste kwartaal
|
||||
- [Mouwkop Q1 opwaardse spreiding](/docs/patterns/brian/options/sleevecapq1spread2) : Bepaalt de opwaartse spreiding in het eerste kwartaal
|
||||
- [Mouwkop Q2 neerwaardse spreiding](/docs/patterns/brian/options/sleevecapq2spread1) : Bepaalt de neerwaartse spreiding in het tweede kwartaal
|
||||
- [Mouwkop Q2 opwaartse spreiding](/docs/patterns/brian/options/sleevecapq2spread2) : Bepaalt de opwaartse spreiding in het tweede kwartaal
|
||||
- [Mouwkop Q3 opwaartse spreiding](/docs/patterns/brian/options/sleevecapq3spread1) : Bepaalt de opwaartse spreiding in het derde kwartaal
|
||||
- [Mouwkop Q3 neerwaardse spreiding](/docs/patterns/brian/options/sleevecapq3spread2) : Bepaalt de neerwaartse spreiding in het derde kwartaal
|
||||
- [Mouwkop Q4 opwaartse spreiding](/docs/patterns/brian/options/sleevecapq4spread1) : Bepaalt de opwaartse spreiding in het vierde kwartaal
|
||||
- [Mouwkop Q4 neerwaardse spreiding](/docs/patterns/brian/options/sleevecapq4spread2) : Bepaalt de neerwaartse spreiding in het vierde kwartaal
|
||||
- [Mouwkop Q1 neerwaardse spreiding](/docs/patterns/brian/options/sleevecapq1spread1) : Bepaalt de neerwaartse spreiding in het eerste kwartaal
|
||||
- [Mouwkop Q1 opwaardse spreiding](/docs/patterns/brian/options/sleevecapq1spread2) : Bepaalt de opwaartse spreiding in het eerste kwartaal
|
||||
- [Mouwkop Q2 neerwaardse spreiding](/docs/patterns/brian/options/sleevecapq2spread1) : Bepaalt de neerwaartse spreiding in het tweede kwartaal
|
||||
- [Mouwkop Q2 opwaartse spreiding](/docs/patterns/brian/options/sleevecapq2spread2) : Bepaalt de opwaartse spreiding in het tweede kwartaal
|
||||
- [Mouwkop Q3 opwaartse spreiding](/docs/patterns/brian/options/sleevecapq3spread1) : Bepaalt de opwaartse spreiding in het derde kwartaal
|
||||
- [Mouwkop Q3 neerwaardse spreiding](/docs/patterns/brian/options/sleevecapq3spread2) : Bepaalt de neerwaartse spreiding in het derde kwartaal
|
||||
- [Mouwkop Q4 opwaartse spreiding](/docs/patterns/brian/options/sleevecapq4spread1) : Bepaalt de opwaartse spreiding in het vierde kwartaal
|
||||
- [Mouwkop Q4 neerwaardse spreiding](/docs/patterns/brian/options/sleevecapq4spread2) : Bepaalt de neerwaartse spreiding in het vierde kwartaal
|
||||
|
||||
<Note>
|
||||
|
||||
|
|
@ -114,10 +113,9 @@ de curve zal daarboven stijgen.
|
|||
|
||||
Terwijl de mouwkop in het Brian (en alle patronen die Brian uitbreiden) veel opties hebben, begrijpen hoe de mouwkop wordt gebouwd kan helpen om de juiste vorm te ontwerpen die je wilt. Om dit te doen:
|
||||
|
||||
- Begin met het plaatsen van de bovenkant van je mouwkop
|
||||
- Bepaal dan de invoegpunten
|
||||
- Vervolgens, gebruik de offset om de kracht van de curve te controleren
|
||||
- Tot slot gebruik je de spreiding om de zaken vlot te trekken
|
||||
- Begin met het plaatsen van de bovenkant van je mouwkop
|
||||
- Bepaal dan de invoegpunten
|
||||
- Vervolgens, gebruik de offset om de kracht van de curve te controleren
|
||||
- Tot slot gebruik je de spreiding om de zaken vlot te trekken
|
||||
|
||||
Wat belangrijk is om te onthouden is dat je alleen de vorm van de mouwkop controleert. Welke vorm je ook ontwerpt, het zal in het armsgat worden gemonteerd, betekent dat de grootte ervan kan en zal worden aangepast om ervoor te zorgen dat de mouw bij de armband past. De vorm die u aanmaakt zal echter altijd worden gerespecteerd.
|
||||
|
||||
|
|
|
|||
|
|
@ -1,12 +1,12 @@
|
|||
- - -
|
||||
- - -
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
Steuert die Position der Schulternaht auf der Armlochseite.
|
||||
|
||||
- Erhöhe diese Option, um die SchulterNaht auf der Armlochseite vorwärts zu verschieben
|
||||
- Verringere diese Option, um die SchulterNaht rückwärts auf der Armlochseite zu verschieben
|
||||
|
||||
|
||||
- Erhöhe diese Option, um die SchulterNaht auf der Armlochseite vorwärts zu verschieben
|
||||
- Verringere diese Option, um die SchulterNaht rückwärts auf der Armlochseite zu verschieben
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -3,10 +3,9 @@
|
|||
|
||||
Controls the shoulder seam location on the armhole side.
|
||||
|
||||
- Increase this option to shift the shoulder seam forward on the armhole side
|
||||
- Decrease this option to shift the shoulder seam backward on the armhole side
|
||||
|
||||
|
||||
- Increase this option to shift the shoulder seam forward on the armhole side
|
||||
- Decrease this option to shift the shoulder seam backward on the armhole side
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,12 +1,12 @@
|
|||
- - -
|
||||
- - -
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
Controla la ubicación de la costura del hombro en el lado del orificio.
|
||||
|
||||
- Aumenta esta opción para desplazar la costura del hombro hacia adelante en el lado del blindaje
|
||||
- Disminuye esta opción para desplazar la costura del hombro hacia atrás en el lado del blindaje
|
||||
|
||||
|
||||
- Aumenta esta opción para desplazar la costura del hombro hacia adelante en el lado del blindaje
|
||||
- Disminuye esta opción para desplazar la costura del hombro hacia atrás en el lado del blindaje
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,12 +1,12 @@
|
|||
- - -
|
||||
- - -
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
Contrôle l'emplacement de la couture des épaules sur le côté du bras.
|
||||
|
||||
- Augmentez cette option pour déplacer la couture de l'épaule vers l'avant sur le côté de l'armurier
|
||||
- Diminuer cette option pour déplacer la couture de l'épaule vers l'arrière sur le côté du bracelet
|
||||
|
||||
|
||||
- Augmentez cette option pour déplacer la couture de l'épaule vers l'avant sur le côté de l'armurier
|
||||
- Diminuer cette option pour déplacer la couture de l'épaule vers l'arrière sur le côté du bracelet
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,12 +1,12 @@
|
|||
- - -
|
||||
- - -
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
Bepaalt de locatie van de schoudernaad op het armsgat.
|
||||
|
||||
- Verhoog deze optie om de schoudernaad vooruit aan de zijkant van het armsgat te verplaatsen
|
||||
- Verminder deze optie om de schoudernaad langs de zijkant van het armsgat te verplaatsen
|
||||
|
||||
|
||||
- Verhoog deze optie om de schoudernaad vooruit aan de zijkant van het armsgat te verplaatsen
|
||||
- Verminder deze optie om de schoudernaad langs de zijkant van het armsgat te verplaatsen
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,12 +1,12 @@
|
|||
- - -
|
||||
- - -
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
Steuert die Position der Schulternaht auf der Kragenseite.
|
||||
|
||||
- Erhöhe diese Option, um die Schulternaht auf der Kragenseite vorwärts zu verschieben
|
||||
- Verringere diese Option, um die Schulternaht auf der Kragenseite nach hinten zu verschieben
|
||||
|
||||
|
||||
- Erhöhe diese Option, um die Schulternaht auf der Kragenseite vorwärts zu verschieben
|
||||
- Verringere diese Option, um die Schulternaht auf der Kragenseite nach hinten zu verschieben
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -3,10 +3,9 @@
|
|||
|
||||
Controls the shoulder seam location on the collar side.
|
||||
|
||||
- Increase this option to shift the shoulder seam forward on the collar side
|
||||
- Decrease this option to shift the shoulder seam backward on the collar side
|
||||
|
||||
|
||||
- Increase this option to shift the shoulder seam forward on the collar side
|
||||
- Decrease this option to shift the shoulder seam backward on the collar side
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,12 +1,12 @@
|
|||
- - -
|
||||
- - -
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
Controla la ubicación de la costura del hombro en el lado del cuello.
|
||||
|
||||
- Aumenta esta opción para desplazar la costura del hombro hacia adelante en el lado del cuello
|
||||
- Disminuye esta opción para desplazar la costura del hombro hacia atrás en el lado del cuello
|
||||
|
||||
|
||||
- Aumenta esta opción para desplazar la costura del hombro hacia adelante en el lado del cuello
|
||||
- Disminuye esta opción para desplazar la costura del hombro hacia atrás en el lado del cuello
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,12 +1,12 @@
|
|||
- - -
|
||||
- - -
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
Contrôle l'emplacement de la couture des épaules sur le côté du col.
|
||||
|
||||
- Augmentez cette option pour déplacer la couture de l'épaule vers l'avant sur le col
|
||||
- Diminuer cette option pour déplacer la couture de l'épaule vers l'arrière sur le col
|
||||
|
||||
|
||||
- Augmentez cette option pour déplacer la couture de l'épaule vers l'avant sur le col
|
||||
- Diminuer cette option pour déplacer la couture de l'épaule vers l'arrière sur le col
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,12 +1,12 @@
|
|||
- - -
|
||||
- - -
|
||||
***
|
||||
|
||||
***
|
||||
|
||||
Bepaalt de locatie van de schoudernaad aan de kant van de kraag.
|
||||
|
||||
- Verhoog deze optie om de schoudernaad naar voren aan de kraag te verschuiven
|
||||
- Verminder deze optie om de schoudernaad achterwaarts op de kraagzijde te bewegen
|
||||
|
||||
|
||||
- Verhoog deze optie om de schoudernaad naar voren aan de kraag te verschuiven
|
||||
- Verminder deze optie om de schoudernaad achterwaarts op de kraagzijde te bewegen
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,10 +1,9 @@
|
|||
|
||||
|
||||
|
||||
Steuert die Höhe der Leichtigkeit auf der Schulter zu Schultermessung.
|
||||
|
||||
This option allows you to create some extra ease at the shoulders which shifts the shoulder seam more outwards and off the shoulder. Thereby creating extra room for extra layers of clothing underneath, or more shaped/padded shoulders.
|
||||
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,4 +1,3 @@
|
|||
|
||||
|
||||
|
||||
Controls the amount of ease on the shoulder to shoulder measurement.
|
||||
|
|
@ -7,6 +6,6 @@ This option allows you to create some extra ease at the shoulders which shifts
|
|||
the shoulder seam more outwards and off the shoulder. Thereby creating extra room
|
||||
for extra layers of clothing underneath, or more shaped/padded shoulders.
|
||||
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,10 +1,9 @@
|
|||
|
||||
|
||||
|
||||
Controla la cantidad de facilidad en el hombro a medida del hombro.
|
||||
|
||||
This option allows you to create some extra ease at the shoulders which shifts the shoulder seam more outwards and off the shoulder. Thereby creating extra room for extra layers of clothing underneath, or more shaped/padded shoulders.
|
||||
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,10 +1,9 @@
|
|||
|
||||
|
||||
|
||||
Contrôle l'aisance sur la mesure épaule à épaule.
|
||||
|
||||
Cette option vous permet de créer une aisance supplémentaire entre les épaules, ce qui déplace la couture d'épaule vers l'extérieur et vers l'épaule. Ceci permet de créer de l'aisance si l'on veut porter un autre vêtement en dessous, ou si on prévoit des épaules rembourrées sur le modèle.
|
||||
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,10 +1,9 @@
|
|||
|
||||
|
||||
|
||||
Bepaalt de hoeveelheid overwijdte op de schouder tot schouder maat.
|
||||
|
||||
Deze optie stelt je in staat om wat extra overwijdte aan de schouders te maken die de schoudernaad meer naar buiten en van de schouder verschuift. Hierdoor wordt extra ruimte gecreëerd voor extra kledinglagen onderaan, of meer gevormde/gewatteerde schouders.
|
||||
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Reduziert den Schulterhang, um zusätzlichen Platz für Schulterpolsterung zu schaffen.
|
||||
|
||||
|
||||
## Effekt dieser Option auf das Schnittmuster
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Reduces the shoulder slope to create extra room for shoulder padding.
|
||||
|
||||
|
||||
## Effect of this option on the pattern
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Reduce la pendiente del hombro para crear espacio extra para el relleno del hombro.
|
||||
|
||||
|
||||
## Efecto de esta opción en el patrón
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Réduit la pente des épaules pour créer de l'aisance si l'on prévoit de rembourrer les épaules.
|
||||
|
||||
|
||||
## Effet de cette option sur le motif
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
|
|
@ -1,8 +1,7 @@
|
|||
|
||||
|
||||
|
||||
Vermindert de schouderhelling om extra ruimte te creëren voor schoudervulling.
|
||||
|
||||
|
||||
## Effect van deze optie op het patroon
|
||||
|
||||
|
||||
|
||||
|
|
|
|||
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